Drama in the music of Franz Schubert /
It is commonly assumed that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies, and chamber music, lacked comparable talent for drama. Challenging this view, Drama in the Music of Franz Schubert provides a timely re-evaluation of Schubert's operatic works, while de...
Clasificación: | Libro Electrónico |
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Otros Autores: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Woodbridge, Suffolk :
The Boydell Press,
2019.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- List of Figures; List of Tables; List of Contributors; Acknowledgements; Preface; Introduction: Internal Dramas; Part I: Stage and Scared Works; 1. Opera that Vanished: Goethe, Schubert, and Claudine von Villa Bella; 2. Pioneering German Musical Drama: Sung and Spoken Word in Schubert's Fierabras; 3. The Dramatic Monologue of Schubert's Mass in A♭ Major; Part II: Lieder; 4. Schubert's Dramatic Lieder: Rehabilitating 'Adelwold und Emma', D. 211; 5. Gretchen abbandonata: The Lied as Aria; 6. The Dramatic Strategy Within Two of Schubert's Serenades; 7. 'Durch Nacht und Wind': Tempesta as a Topic in Schubert's Lieder
- 8. Reentering Mozart's Hell: Schubert's 'Gruppe aus dem Tartarus', D. 583; Part III: Instrumental Music; 9. 'Zumsteeg Ballads without Words': Inter-Generic Dialogue and Schubert's Projection of Drama through Form; 10. Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The Impromptu in C Minor, D. 899/1; 11. Music as Poetry: An Analysis of the First Movement of Schubert's Piano Sonata in A Major, D. 959; 12. Virtual Protagonist and Musical Narration in the Slow Movements of Schubert's Piano Sonatas D. 958 and D. 960; 13. Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental WorksSelect Bibliography; Index.