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|a Communication and discourse theory :
|b collected works of the Brussels Discourse Theory Group /
|c edited by Leen Van Brussel, Nico Carpentier, and Benjamin De Cleen.
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|b Intellect,
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|a Cover; Half Title; Title; Copyright; Contents; Introduction: Discourse Theory, Media and Communication, and the Work of the Brussels Discourse Theory Group; Section 1: Political Ideologies; Chapter 1: Crisis, Austerity, and Opposition in Mainstream Media Discourses in Greece; Chapter 2: (Re)Articulating Feminism: A Discourse Analysis of Sweden's Feminist Initiative Election Campaign; Chapter 3: The Stage as an Arena of Politics: The Struggle between the Vlaams Blok/Belang and the Flemish City Theaters; Section 2: The Politics of Everyday Life
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|a Chapter 4: A Discourse-Theoretical Approach to Death and DyingChapter 5: Putting Your Relationship to the Test: Constructions of Fidelity, Seduction, and Participation in Temptation Island; Section 3: Production; Chapter 6: The Postmodern Challenge to Journalism: Strategies for Constructing a Trustworthy Identity; Chapter 7: The Particularity of Objectivity: A Poststructuralist and Psychoanalytical Reading of the Gap between Objectivity-as-a-Value and Objectivity-as-a-Practice in the 2003 Iraqi War Coverage; Section 4: Audiences and Participation
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|a Chapter 8: The Articulation of "Audience" in Chinese Communication ResearchChapter 9: Articulating the Visitor in Public Knowledge Institutions; Chapter 10: To be a Common Hero: The Uneasy Balance between the Ordinary and Ordinariness in the Subject Position of Mediated Ordinary People in the Talk Show Jan Publiek; Section 5: Activism and Resistance; Chapter 11: Online Barter and Counter-Hegemonic Resistance; Chapter 12: Activist Fantasies on ICT-Related Social Change in Istanbul
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|a Chapter 13: Contesting the Populist Claim on "The People" through Popular Culture: The 0110 Concerts versus the Vlaams BelangBiographies; Previous Publications; Back Cover
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|a This volume gathers the work of the Brussels Discourse Theory Group, a group of critical media and communication scholars who deploy discourse theory as a theoretical backbone and any analytical research perspective. Drawing on a variety of case studies, ranging from the politics of reality TV to the representation of populism, the book highlights both the radically contingent nature and the hegemonic workings of media and communication practices. The book shows the value and applicability of discourse-theoretical analysis (DTA) within the field of media and communication studies.
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