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Debussy's resonance /

The music of Claude Debussy has always been widely beloved by listeners and performers alike, more perhaps than that of any of the other pioneers of musical modernism. However rich in itself, his creative output also participated, and continues to participate, in a network of cultural connections, t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Médicis, François de, 1964- (Editor ), Huebner, Steven (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge : Boydell & Brewer Limited, 2018.
Colección:Eastman studies in music ; 150.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Debussy's resonance /  |c edited by François de Médicis and Steven Huebner. 
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490 1 |a Eastman Studies in Music ;  |v 150 
520 8 |a The music of Claude Debussy has always been widely beloved by listeners and performers alike, more perhaps than that of any of the other pioneers of musical modernism. However rich in itself, his creative output also participated, and continues to participate, in a network of cultural connections, the scope and meaning of which can only be gleaned through multiple interpretive frameworks. Debussy's Resonance offers twenty new studies by some of the most active and respected English- and French-language scholars of French music. The book treats a large swath of the composer's music, from previously unexplored melodies of his early years to late pieces such as the ballet Jeux and the Douze Etudes, and takes into consideration the numerous contexts that helped shape the works and the different ways that musicologists and critics have explained them. 
505 0 |a Introduction; Part One: Historiographical and Editorial Issues; 1 Debussy Fifty Years Later: Has the Barrel Run Dry?; 2 The OEuvres complètes de Claude Debussy Thirty Years On; 3 The Kunkelmann Manuscripts: New Sources for Early Mélodies by Claude Debussy; 4 "Paysage sentimental": "Si doux, si triste, si dormant . . ."; Part Two: Style and Genre; 5 The "Song Triptych": Reflections on a Debussyan Genre; 6 Composing after Wagner: The Music of Bruneau and Debussy, 1890-1902; 7 Between Massenet and Wagner; 8 Debussy's Concept of Orchestration9 Oriental and Iberian Resonances in Early Debussy Songs; Part Three: History and Hermeneutics; 10 Debussy and Japanese Prints 
505 8 |a 11 "Les sons ... tournent": Debussy, the Waltz, and Embodied Hermeneutics; 12 Secrets and Lies, or the Truth About Pelléas; 13 Vertige!: Debussy, Mallarmé, and the Edge of Language; Part Four: Theoretical Issues; 14 Follow the Leader: Debussy's Contrapuntal Games; 15 Debussy's Absolute Pitch: Motivic Harmony and Choice of Keys; 16 Debussy's G♯/A♭ Complex: The Adventures of a Pitch-Class from the Suite bergamasque to the Douze études17 The Games of Jeux; Part Five: Performance and Reception; 18 Debussy and Late-Romantic Performing Practices: The Piano Rolls of 1912; 19 Marius-François Gaillard's Debussy: Controversies and Pianistic Legacy; 20 Fashioning Early Debussy in Interwar France; List of Contributors; Index 
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700 1 |a Médicis, François de,  |d 1964-  |e editor. 
700 1 |a Huebner, Steven,  |e editor. 
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