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|a UAMI
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|a Ngũgĩ :
|b reflections on his life of writing / edited by Simon Gikandi & Ndirangu Wachanga.
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|a Woodbridge, Suffolk :
|b James Currey,
|c 2018.
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|a 1 online resource (xxii, 243 pages) :
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|a Table Of Contents (Pp. V-Viii); Preface (Pp. Ix-Xii); Acknowledgements (Pp. Xiii-Xiv); Chronology (Pp. Xv-Xix); Photographic Section (Pp. Xx-Xxii); Introduction: Ngũgĩ Wa Thiong’O: Reflections On His Life Of Writing (Pp. 1-12); Ngũgĩ At Work (Pp. 13-22)
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|a Part I Serenades & Beginnings; 1 Hyperbolic Praise Poetry For Ngũgĩ @80 … In Imitation Of African Orature (Pp. 25-34); 2 A Song At Dawn (For Ngũgĩ Wa Thiong’O) (Pp. 35-35); 3 Ngũgĩ In Eritrea (Pp. 36-40); 4 Up From Makerere: On The Publication Of Weep Not, Child (Pp. 41-44); 5 Encountering Ngũgĩ At Leeds: An Interview With Peter Nazareth (Pp. 45-47); 6 The Book That Made Me: On Weep Not, Child (Pp. 48-50); 7 Note From A Literary Son (Pp. 51-52); 8 What Is In A Name? (Pp. 53-56); 9 In Exile: Between Britain & Kenya (Pp. 57-60);
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|a Part Ii Memories, Recollections & Tributes; 10 Remembering Early Conversations With Ngũgĩ (Pp. 63-65); 11 Ngũgĩ Wa Thiong’O At 80: Pongezi (Congratulations!) (Pp. 66-68); 12 Ngũgĩ Wa Thiong’O At 80: Inspiring Encounters (Pp. 69-74); 13 Ngũgĩ In The 1970S At The University Of Nairobi (Pp. 75-78); 14 ‘Professor, You Are In Ngũgĩ’S Book’ (Pp. 79-85); 15 Mũraata, Mũrutani, Na Mũthikĩrĩria (Friend, Teacher & Listener (Pp. 86-90); 16 Fear & Trepidation In Asmara: Meeting Ngũgĩ (Pp. 91-96); 17 Ngũgĩ Wa Thiong’O: A True Story (Pp. 97-101); 18 Ngũgĩ Wa Thiong’O: Tribute On His 80Th Birthday (Pp. 102-106);
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|a Part Iii Working With Ngũgĩ; 19 Ngũgĩ & The Decolonization Of Publishing (Pp. 109-114); 20 The Turning Point: Ngũgĩ Wa Thiong’O & His Kenyan Publisher (Pp. 115-120); 21 Working With Ngũgĩ (Pp. 121-124); 22 Recollections Of Mũtiiri (Pp. 125-130);
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|a Part IV The Writer, The Critic & The World; 23 Bricklayer & Architect Of A World To Come (Pp. 133-134); 24 Revisioning Goethe’S Idea Of ‘World Literature’ (Pp. 135-142); 25 Globalectics: Beyond Postcoloniality, &Engaging The Caribbean (Pp. 143-149); 26 Ngũgĩ & The Quest For A Linguistic Paradigm Shift: Some Reflections (Pp. 150-155); 27 Autobiographical Prototypes In Ngũgĩ Wa Thiong’O’S Early Fiction & Drama (Pp. 156-162); 28 Homecoming: The Idea Of Return In The Works Of Ngũgĩ Wa Thiong’O (Pp. 163-167); 29 Gũcookia Rũĩ Mũkaro (Pp. 168-171); 30 Muthoni’S Afterlives (Pp. 172-180);
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|a Part V The Other Ngũgĩ; 31 Kwa Grant Kamenju: Hotuba Ya Kuipokea Digrii Ya Heshima Ya Uzamifu Kutoka Chuo Kikuu Cha Dar Es Salaam (Pp. 183-185); 32 Wasomi, Lugha Za Ulaya Na Za Kiafrika: Kati Ya Kuweza Na Kuwezwa (Pp. 186-193); 33 Asia In My Life (Pp. 194-199); 34 Ndaĩ Ya Wendo (A Riddle Of Love) (Pp. 200-202);
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|a Appendix A: Review Of Wizard Of The Crow: Ngũgĩ’S Homecoming Gift To Kenyans (Pp. 205-207); Appendix B: Directing The River Back To Its Course (Pp. 208-211); Appendix C: For Grant Kamenju (Pp. 212-213); Appendix D: Intellectuals, European & African Languages: Between Enslavement & Empowerment (Pp. 214-220); Appendix E: A Riddle Of Love (Pp. 221-222); Bibliography Of Ngũgĩ’S Primary Works (Pp. 225-226); Works Cited (Pp. 227-230); Notes On Contributors (Pp. 231-235); Index (Pp. 236-242); Back Matter (Pp. 243-243);
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|a This collection of essays reflects on the life and work of Ngugi wa Thiong'o, who celebrated his 80th birthday in 2018. Drawing from a wide range of contributors, including writers, critics, publishers and activists, the volume traces the emergence of Ngugi as a novelist in the early 1960s, his contribution to the African culture of letters at its moment of inception, and his global artistic life in the twenty-first century. Here we have both personal and critical reflections on the different phases of the writer's life: there are poems from friends and admirers, commentaries from his co-workers in public theatre in Kenya in the 1970s and 1980s, and from his political associates in the fight for democracy, and contributions on his role as an intellectual of decolonization, as well as his experiences in the global art world. Included also are essays on Ngugi's role outside the academy, in the world of education, community theatre, and activism. In addition to tributes from other authors who were influenced by Ngugi, the collection contains hitherto unknown materials that are appearing in English for the first time. Both a celebration of the writer, and a rethinking of his legacy, this book brings together three generations of Ngugi readers. We have memories and recollections from the people he worked with closely in the 1960s, the students that he taught at the University of Nairobi in the 1970s, his political associates during his exile in the 1980s, and the people who worked with him as he embarked on a new life and career in the United States in the 1990s. First-hand accounts reveal how Ngugi's life and work have intersected, and the multiple forces that have converged to make him one of the greatest writers to come out of Africa in the twentieth century. Simon Gikandi is Robert Schirmer Professor of English, Princeton University. He is President of the MLA and was editor of its journal PMLA, from 2011-2016. Ndirangu Wachanga is Professor of Media Studies and Information Science at the University of Wisconsin. He is also the authorized documentary biographer of Professors Ali A. Mazrui, Ngugi wa Thiong'o and Micere Mugo.
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|a Includes bibliographical references.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
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|a JSTOR
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|a Ngũgĩ wa Thiongʼo,
|d 1938-
|x Criticism and interpretation.
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600 |
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7 |
|a Ngũgĩ wa Thiongʼo,
|d 1938-
|2 fast
|0 (OCoLC)fst00002578
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650 |
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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700 |
1 |
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|a Wachanga, D. Ndirangu,
|d 1975-
|e editor.
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700 |
1 |
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|a Gikandi, Simon,
|e editor.
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776 |
0 |
8 |
|i Print version.
|t Ngũgĩ.
|d Woodbridge, Suffolk : James Currey, 2018
|z 9781847012142
|w (DLC) 2018287332
|w (OCoLC)1037067795
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856 |
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