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|a UAMI
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|a Menne, Jeff,
|d 1974-
|e author.
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|a Post-Fordist cinema :
|b Hollywood auteurs and the corporate counterculture /
|c Jeff Menne.
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|a New York :
|b Columbia University Press,
|c [2019]
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|a 1 online resource :
|b illustrations
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|a text
|b txt
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|a computer
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|2 rdamedia
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|a online resource
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|a Film and Culture Series
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|a Print version record
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|a Includes bibliographical references and index
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|a Intro; Table of Contents; Acknowledgments; Introduction: The Business of Auteur Theory; 1: Post (Henry and John) Fordism: Kirk Douglas and Guerilla Economy; 2. The Cinema of Defection: The Corporate Counterculture and Robert Altman's Lion's Gate; 3. Television Totalities: Zanuck-Brown and the Privately-Held Company; 4. The Ethos of Incorporation: BBS and the Law of Unnatural Persons; Afterword: Auteurs, Amateurs, Animators; Notes; Index
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|a Jeff Menne rewrites the history of the New Hollywood boom of the late 196s and 197s, arguing that auteur theory served to reconcile directors to Hollywood's corporate project. Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the "creative economy."
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Auteur theory (Motion pictures)
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|a Motion picture producers and directors
|z United States
|x History
|y 20th century.
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|a Motion picture industry
|z United States
|x History
|y 20th century.
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|a Politique des auteurs (Cinéma)
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|a Producteurs et réalisateurs de cinéma
|z États-Unis
|x Histoire
|y 20e siècle.
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|a Cinéma
|x Industrie
|z États-Unis
|x Histoire
|y 20e siècle.
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|a PERFORMING ARTS
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|a Auteur theory (Motion pictures)
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|a Motion picture industry
|2 fast
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|a Motion picture producers and directors
|2 fast
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|a United States
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|a 1900-1999
|2 fast
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|a History
|2 fast
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|i Print version:
|a Menne, Jeff, 1974-
|t Post-Fordist cinema.
|d New York : Columbia University Press, [2019]
|z 9780231183703
|w (DLC) 2018025467
|w (OCoLC)1035435587
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830 |
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|a Film and culture.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.7312/menn18370
|z Texto completo
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