Technical studies of paintings : problems of attribution (15th-17th centuries) : papers presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting, held in Bruges, 11-13 September 2014 /

Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of ar...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor Corporativo: Colloque pour l'étude du dessin sous-jacent et de la technologie de la peinture Bruges, Belgium
Otros Autores: Dubois, Anne (Editor ), Couvert, Jacqueline (Editor ), Borchert, Till (Editor )
Formato: Electrónico Congresos, conferencias eBook
Idioma:Inglés
Francés
Publicado: Leuven : Peeters, 2018.
Colección:Dessin sous-jacent et la technologie dans la peinture ; colloque 19.
Temas:
Painting, Renaissance > Attribution > Congresses.
Painting, European > Attribution > Congresses.
Painting, Renaissance > Expertising > Congresses.
Painting, European > Expertising > Congresses.
Underdrawing > Europe > Congresses.
Peinture de la Renaissance > Attribution > Congrès.
Peinture européenne > Attribution > Congrès.
Peinture de la Renaissance > Expertise > Congrès.
Peinture européenne > Expertise > Congrès.
Dessin sous-jacent > Europe > Congrès.
ART > Techniques > Painting.
Painting, Renaissance > Attribution
Painting, Renaissance > Expertising
Underdrawing
Europe
Conference papers and proceedings
Acceso en línea:Texto completo
Descripción
Sumario:Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their workshops. However, technical studies often also reveal complex working methods, while new scientific imagery sometimes challenges accepted attributions and instigates reconsiderations of traditional attributions. The XIXth symposium for the Study of Underdrawing and Technology in Painting which was held in Bruges on 11-13 September 2014 was dedicated to technical studies of paintings: problems of attribution (15th-17th centuries). It focussed on the various ways in which technical studies can provide answers to the often complex issue of attribution and will discuss the challenges that art historians face in proposing conclusive theories. This book captures the variety of twenty-four papers presented at the symposium.
Notas:Conference organized by Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge.
Descripción Física:1 online resource (xxi, 376 pages) : illustrations (chiefly color), charts, facsimiles, portraits
Bibliografía:Includes bibliographical references.
ISBN:9789042937192
904293719X

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