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|a UAMI
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|a Couzens, Andrew James,
|e author.
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|a A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828-2017.
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|a [Place of publication not identified] :
|b National Book Network International (NBNi) :
|b Anthem Press,
|c 2019.
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|a 1 online resource
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|a text
|b txt
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|a online resource
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|a Anthem studies in Australian literature and culture ;
|v 1
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|a Vendor-supplied metadata.
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|a Cover; Front Matter; Half-title; Series information; Title page; Copyright information; Table of contents; List of Figures; Acknowledgements; Chapters Intro. to Conclu.; Introduction: Defining the Bushranger Legend; Converging Legends; Nation, Cinema, Genre; Outline of Structure; Notes; Part 1 Establishing The Legend; Chapter 1 The First Bushranger Melodramas; Melodrama; Three Bushranger Melodramas; Notes; Chapter 2 Alfred Dampier and the Nationalist Melodrama; Notes; Chapter 3 Wild West Shows and Wild Australia; Wild West Shows: A Brief Overview; The Wild West Comes to Australia
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|a Wild Australia and the Festival of EmpireNotes; Chapter 4 Hippodramas and Edward Irham Cole; Notes; Part 2 Developing the Legend; Chapter 5 The Bushranger Genre from Stage to Screen; Linking Stage and Screen; Specificities of the Cinema; Notes; Chapter 6 The Bushranger Ban; Notes; Chapter 7 British and American Interventions in the Bushranger Legend; Captain Fury and Hollywood in Australia; Captain Starlight and the British Empire in Australia; Notes; Chapter 8 Radical Nationalism and the Bushranger Legend; Folklore, nationalism, and Captain Thunderbolt; The Australian Film Revival
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|a The policies of the Australian Film RevivalThe counterculture movement and Mad Dog Morgan; Not-so-radical nationalism in Robbery Under Arms; Notes; Part 3 Fragmenting the Legend; Chapter 9 Historical Revisionism and the Bushranger Legend; Parody; The Bushranger Legend in Revisionist Westerns; Reactionary Romanticization of the Bushranger Legend; Notes; Chapter 10 Diversification and Inclusiveness of the Bushranger Legend; Dismantling the Legend in The Chant of Jimmie Blacksmith; Reconciliation and the Bushranger Legend; Migrant Outlaws; Notes
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|a Chapter 11 Globalization of the Bushranger Legend in Outlaw Road MoviesLeaving the Bushranger Legend in the Dust; The Bushranger Legend in the Global Apocalypse; Notes; Conclusion; Note; End Matter; Bibliography; Primary; Films; Plays; With published or archival playscripts; Without playscripts; Archival Collections; Secondary; Index
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|a 'Outlaw Nation' is a cultural history of the bushranger legend on stage and screen from colonial to contemporary Australia. It provides a detailed analysis of the mechanisms through which bushrangers became an indelible part of the Australian cultural consciousness.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Theater
|z Australia
|x History.
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|a Motion pictures
|z Australia
|x History.
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|a Bushrangers
|x In motion pictures.
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|a Theater and society
|z Australia.
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|a Motion pictures
|x Social aspects
|z Australia.
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|a Outlaws in popular culture
|z Australia.
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|a Outlaws in popular culture.
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|a Cinéma
|z Australie
|x Histoire.
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|a Bandits et brigands réfugiés dans la brousse
|x Au cinéma.
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|a Théâtre et société
|z Australie.
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|a Cinéma
|x Aspect social
|z Australie.
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|a Hors-la-loi dans la culture populaire.
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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|a Bushrangers in motion pictures
|2 fast
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|a Motion pictures
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|a Motion pictures
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|a Outlaws in popular culture
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|i Print version:
|a Couzens, Andrew James.
|t Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828-2017.
|d [Place of publication not identified] : National Book Network International (NBNi) : Anthem Press, 2019
|z 1783088915
|z 9781783088911
|w (OCoLC)1078995750
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|a Anthem studies in Australian literature and culture.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvbqs5r1
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