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Anonymity performance in electronic pop music : a performance ethnography of critical practices /
In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performa...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript Verlag,
[2018]
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| Colección: | Studien zur Popularmusik
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 035 | |a (OCoLC)1083593809 |z (OCoLC)1121629616 | ||
| 037 | |a 9783839442562 |b transcript Verlag | ||
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| 050 | 4 | |a ML1380 |b .M46 2018 | |
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| 049 | |a UAMI | ||
| 100 | 1 | |a Menrath, Stefanie Kiwi, |e author. | |
| 245 | 1 | 0 | |a Anonymity performance in electronic pop music : |b a performance ethnography of critical practices / |c Stefanie Kiwi Menrath. |
| 264 | 1 | |a Bielefeld : |b Transcript Verlag, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (232 pages) : |b photographs | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 490 | 0 | |a Studien zur Popularmusik | |
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t 1. Laboratory Case I: Moodymann and the study of pop music persona construction -- |t 2. Performance in music (studies) -- |t 3. Laboratory Case II: Ursula Bogner and performance research -- |t Conclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination -- |t Appendix |
| 520 | |a In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations. This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019). | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Electronica (Music) |x History and criticism. | |
| 650 | 0 | |a Anonymous persons. | |
| 650 | 6 | |a Électronica (Musique) |x Histoire et critique. | |
| 650 | 6 | |a Personnes anonymes. | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a MUSIC / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Electronica (Music) |2 fast | |
| 650 | 7 | |a Anonymous persons |2 fast | |
| 650 | 7 | |a Popular music |x Social aspects |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371bsr9 |z Texto completo |
| 938 | |a De Gruyter |b DEGR |n 9783839442562 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5652048 | ||
| 938 | |a EBSCOhost |b EBSC |n 2011593 | ||
| 994 | |a 92 |b IZTAP | ||