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JSTOR_on1083545422 |
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20231005004200.0 |
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m o d |
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190129s2018 be ag ob 001 0 eng d |
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|a 1083688239
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|a 9789042937345
|q (electronic bk.)
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|a MT90
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|a UAMI
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|a Music, analysis, and the body :
|b experiments, explorations, and embodiments /
|c edited by Nicholas Reyland and Rebecca Thumpston.
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| 264 |
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1 |
|a Leuven :
|b Peeters,
|c [2018]
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| 264 |
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4 |
|c ©2018
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| 300 |
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|a 1 online resource (xvi, 347 pages) :
|b illustrations, music
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Analysis in context : Leuven studies in musicology ;
|v volume 6
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| 504 |
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|a Includes bibliographical references and indexes.
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| 505 |
0 |
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|t Theories/Analyses (Perofrmers/composers/audiences). On the subjects and objects of music analysis /
|r Arnie Cox ; "Von anderem Planeten"? Gesture, embodiment, and virtual environments in the orbit of (a)tonality /
|r Matthew BaileyShea & Seth Monahan ;
|t Becoming-Minoritarian: embodiment and disembodiment in Szymanowski's Mythes, op. 30/I /
|r Kenneth Smith ;
|t The "feel" of musical ascent /
|r Rebecca Thumpston ;
|t Sensible listening : Cage and his distractors /
|r Anthony Gritten ;
|t Subjectivity, analysis and the body : Wolfgang Rihm's Tutuguri /
|r Alastair Williams ;
|t Metaphorical bodies and multiple agencies in Thomas Adès's Tevot /
|r Edward Venn --
|t Performers/composers/audiences (theories/analyses). Bodies in motion: musical affect and the pleasure of excess /
|r Michael L.Klein ; Affect, representation, transformation : the Royle Family's musical bodies /
|r Nicholas Reyland ;
|t Feeling sound /
|r Simon Emmerson ;
|t Jazz and the live performance event /
|r Peter Elsdon ;
|t Analysing sonic authority : sensoriality, affect, and the unsettled body /
|r Rachel Beckles Willson ;
|t 'Performers' perspectives on "feel" in music /
|r Elaine King & Caroline Waddington-Jones ;
|t Critical listening and sensory experience in soundscape composition /
|r Ely Lyonblum ;
|t Composing the body electric : embodied interaction with software in musical creation /
|r Vincent Meelberg ;
|t Pragmatist ironist analysis and (re-)embodied interactivity : experimental approaches to sensor-based interactive music systems inspired by music analysis /
|r Joshua Banks Mailman.
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|a Print version record.
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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| 650 |
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|a Musical analysis.
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| 650 |
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0 |
|a Music appreciation.
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| 650 |
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0 |
|a Music
|x Philosophy and aesthetics.
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| 650 |
|
6 |
|a Analyse musicale.
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| 650 |
|
6 |
|a Musique
|x Appréciation.
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| 650 |
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6 |
|a Musique
|x Philosophie et esthétique.
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| 650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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| 650 |
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7 |
|a MUSIC
|x Reference.
|2 bisacsh
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| 650 |
|
7 |
|a Music appreciation.
|2 fast
|0 (OCoLC)fst01030494
|
| 650 |
|
7 |
|a Music
|x Philosophy and aesthetics.
|2 fast
|0 (OCoLC)fst01030408
|
| 650 |
|
7 |
|a Musical analysis.
|2 fast
|0 (OCoLC)fst01030696
|
| 700 |
1 |
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|a Reyland, Nicholas W.,
|e editor.
|
| 700 |
1 |
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|a Thumpston, Rebecca,
|e editor.
|
| 776 |
0 |
8 |
|i Print version:
|t Music, analysis, and the body.
|d Leuven : Peeters, 2018
|z 9789042936416
|w (OCoLC)1083110108
|
| 830 |
|
0 |
|a Analysis in context ;
|v v. 6.
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1q26wr0
|z Texto completo
|
| 938 |
|
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|a ProQuest Ebook Central
|b EBLB
|n EBL5693462
|
| 938 |
|
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|a EBSCOhost
|b EBSC
|n 2012065
|
| 938 |
|
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|a YBP Library Services
|b YANK
|n 16005835
|
| 994 |
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|a 92
|b IZTAP
|
