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Deconstruction, feminism, film /
This book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Edinburgh] :
Edinburgh University Press,
[2018]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Dillon, Sarah, |e author. | |
| 245 | 1 | 0 | |a Deconstruction, feminism, film / |c Sarah Dillon. |
| 264 | 1 | |a [Edinburgh] : |b Edinburgh University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xi, 167 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 151-161), filmography (page 162) and index. | ||
| 505 | 0 | |a Departing from Proust -- Deconstruction, feminism, film -- Supplanting spectrality -- Feminist countersignature -- Auto/biography -- How do I look? | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Derrida, Jacques |x Influence. |
| 600 | 1 | 7 | |a Derrida, Jacques. |2 fast |0 (OCoLC)fst00041147 |
| 650 | 0 | |a Women in motion pictures. | |
| 650 | 0 | |a Feminism and motion pictures. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Deconstruction. | |
| 650 | 6 | |a Femmes au cinéma. | |
| 650 | 6 | |a Féminisme et cinéma. | |
| 650 | 6 | |a Déconstruction. | |
| 650 | 7 | |a Deconstructivist. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 7 | |a Deconstruction. |2 fast |0 (OCoLC)fst00889137 | |
| 650 | 7 | |a Feminism and motion pictures. |2 fast |0 (OCoLC)fst00922742 | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00972484 | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a Women in motion pictures. |2 fast |0 (OCoLC)fst01177931 | |
| 776 | 0 | 8 | |i Print version: |a Dillon, Sarah. |t Deconstruction, feminism, film. |d [Edinburgh] : Edinburgh University Press, [2018] |z 9781474434195 |w (OCoLC)1012813209 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctvcwnfdc |z Texto completo |
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