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Time, duration and change in contemporary art. Beyond the clock /
Time, Duration and Change in Contemporary Art presents a major study of time as a key aesthetic dimension of recent art practices. This book explores different aspects of time across a broad range of artistic media and draws on recent movements in philosophy, science, and technology to show how arti...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect Ltd,
2019.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bretkelly-Chalmers, Kate. | |
| 245 | 1 | 0 | |a Time, duration and change in contemporary art. Beyond the clock / |c kate Bretkelly-Chalmers. |
| 264 | 1 | |a Bristol : |b Intellect Ltd, |c 2019. | |
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| 520 | 8 | |a Time, Duration and Change in Contemporary Art presents a major study of time as a key aesthetic dimension of recent art practices. This book explores different aspects of time across a broad range of artistic media and draws on recent movements in philosophy, science, and technology to show how artists generate temporal experiences that resist the standardized time of modernity: Olafur Eliasson?s melting icebergs produce fragile temporal ecologies; Marina Abramovi??s performances test the durations of the human body; Christian Marclay?s The Clock conflates past and present chronologies. This book examines alternative frameworks of time, duration, and change in prominent philosophical, scientific, and technological traditions, including physics, psychology, phenomenology, neuroscience, media theory, and selected environmental sciences. It suggests that art makes a crucial contribution to these discourses not by?visualizing? time, but by entangling viewers in different sensory, material, and imaginary temporalities. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half title; Title; Copyright; Contents; Acknowledgements; Introduction; Part I: Time; Chapter 1: Marking Time in Conceptual Art; Chapter 2: Around the Clock: 24/7 Times; Chapter 3: Dust and Duration: Timing Women's Work; Part II: Duration; Chapter 4: Temporal Fever: Archive and Database; Chapter 5: Duration and Endurance: Minimalism and Performance; Chapter 6: Microtemporality: Time Perception in Film and Video; Chapter 7: Accumulative Art and the Time of Stuff; Part III: (Interregnum): Relativity; Chapter 8: Special Relativity: Time and the Art of Instability | |
| 505 | 8 | |a Chapter 9: Cultural Relativity and the Time of the OtherPart IV: Change; Chapter 10: Beyond Our Time: Entropy and Icebergs; Chapter 11: Speculative Time and Contemporary Art; Stone in Hand: A Brief Conclusion; Bibliography; Index; Back Cover | |
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