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|a UAMI
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|a NDLOVU, MORGAN.
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|a Performing Indigeneity :
|b spectacles of culture and identity in coloniality /
|c Morgan Ndlovu.
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|a [Place of publication not identified] :
|b PLUTO Press,
|c 2019.
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|a 1 online resource (1 volume)
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|a Decolonial Studies, Postcolonial Horizons Ser.
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|a Print version record.
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|a Cover; Contents; Acknowledgements; 1. Introduction: Why Performing Indigeneity Matters; 2. Decolonizing the Drama-Stage Conundrum; 3. The Invasion of African Culture; 4. Being and Becoming Zulu in Modern/Colonial South Africa; 5. The Idea of Cultural Villages in South Africa; 6. The Crisis of Indigenous Agency in Cultural Villages; 7. Being and Becoming a Traditional Healer in Modern South Africa; 8. Performing Indigeneity: A Global Perspective; Appendix: List of Cultural Villages in South Africa; References; Index
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|a A decolonial critique of the agency of the colonised subject.
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|a Indigenous peoples
|x Colonization.
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|a Indigenous peoples
|x Social life and customs.
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|a Agent (Philosophy)
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|a SOCIAL SCIENCE
|x Discrimination & Race Relations.
|2 bisacsh
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|a SOCIAL SCIENCE
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|2 bisacsh
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|a Indigenous peoples
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|i Print version:
|a NDLOVU, MORGAN.
|t PERFORMING INDIGENEITY.
|d [Place of publication not identified], PLUTO Press, 2019
|z 0745338593
|w (OCoLC)1039339207
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|a Decolonial Studies, Postcolonial Horizons Ser.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv9zckjv
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