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Eva Palmer Sikelianos : a life in ruins /
The first biography of a visionary twentieth-century American performer who devoted her life to the revival of ancient Greek cultureThis is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874-1952), an American actor, director, composer, and weaver best known for revivin...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
[2019]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Leontis, Artemis, |e author. | |
| 245 | 1 | 0 | |a Eva Palmer Sikelianos : |b a life in ruins / |c Artemis Leontis. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [2019] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Title Page; Copyright Page; Contents; List of Illustrations; Acknowledgments; Introduction; Chronology; Chapter 1: Sapphic Performances; The Implications of Reading Sappho; "Old Things Are Becoming New"; "Charming Tableau"; "Going Back with Knowledge"; "If I Can Ever Sing to You"; "My Orchard in Mytellini"; Chapter 2: Weaving; "One Handwoven Dress"; "Beautiful, Statuesque Girl, Heroine of Two Social Continents"; The "Anadromic Method" and Experimental Replication; "My Happiness Hangs on a Thread"; "The Key to the Matter Is the Loom!"; Chapter 3: Patron of Byzantine Music | |
| 505 | 8 | |a The "Musical Question" and the OresteiakaPenelope Sikelianos Duncan; After Penelope; Konstantinos Psachos and the Field of Greek Music; Eva Sikelianos in the Field of Greek Music; Patron of Greek Music; Lessons from India's Decolonization Movement; Chapter 4: Drama; Isadora Duncan's "Multiple Oneness," 1903; Atalanta in Bar Harbor, 1905; Delphic Visions on Mount Parnassus, Early 1920s; Prometheus Bound in Delphi, 1927; The Persians at Jacob's Pillow, 1939; Chapter 5: Writing; Upward Panic; The Loom Is the Key (Again); "Politics"; Translating Angelos Sikelianos's Act of Resistance | |
| 505 | 8 | |a Angelos's Akritika Thrusts Eva into Politics"Greek Home- Coming Year"; Epilogue: Recollecting a Life; Appendix: Cast of Characters; Notes; References; Index | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on January 28, 2019). | |
| 520 | |a The first biography of a visionary twentieth-century American performer who devoted her life to the revival of ancient Greek cultureThis is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874-1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer's most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn. Brilliant and gorgeous, with floor-length auburn hair, Palmer was a wealthy New York debutante who studied Greek at Bryn Mawr College before turning her back on conventional society to live a lesbian life in Paris. She later followed Raymond Duncan (brother of Isadora) and his wife to Greece and married the Greek poet Angelos Sikelianos in 1907. With single-minded purpose, Palmer re-created ancient art forms, staging Greek tragedy with her own choreography, costumes, and even music. Having exhausted her inheritance, she returned to the United States in 1933, was blacklisted for criticizing American imperialism during the Cold War, and was barred from returning to Greece until just before her death. Drawing on hundreds of newly discovered letters and featuring many previously unpublished photographs, this biography vividly re-creates the unforgettable story of a remarkable nonconformist whom one contemporary described as "the only ancient Greek I ever knew." | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Palmer-Sikelianou, Eua, |d 1874-1952. |
| 600 | 1 | 7 | |a Palmer-Sikelianou, Eua, |d 1874-1952. |2 fast |0 (OCoLC)fst00439267 |
| 650 | 0 | |a Dancers |z United States |v Biography. | |
| 650 | 0 | |a Dance |z Greece |x History |y 20th century. | |
| 650 | 6 | |a Danseurs |z États-Unis |v Biographies. | |
| 650 | 6 | |a Danse |z Grèce |x Histoire |y 20e siècle. | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Entertainment & Performing Arts. |2 bisacsh | |
| 650 | 7 | |a Dance. |2 fast |0 (OCoLC)fst00887402 | |
| 650 | 7 | |a Dancers. |2 fast |0 (OCoLC)fst00887581 | |
| 651 | 7 | |a Greece. |2 fast |0 (OCoLC)fst01208380 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a Angelos Sikelianos. | ||
| 653 | |a Byzantine music. | ||
| 653 | |a Delphic Festivals. | ||
| 653 | |a Eva Palmer Sikelianos. | ||
| 653 | |a Evion Panharmonium. | ||
| 653 | |a Greece. | ||
| 653 | |a Greek chorus. | ||
| 653 | |a Greek culture. | ||
| 653 | |a Greek drama. | ||
| 653 | |a Greek poetry. | ||
| 653 | |a Greek prototype. | ||
| 653 | |a Greek society. | ||
| 653 | |a Greek tragedy. | ||
| 653 | |a Hellenism. | ||
| 653 | |a Khorshed Naoroji. | ||
| 653 | |a Konstantinos Psachos. | ||
| 653 | |a Paler Sikelianos. | ||
| 653 | |a Paris. | ||
| 653 | |a Penelope Sikelianos. | ||
| 653 | |a Raymond Duncan. | ||
| 653 | |a Sappho. | ||
| 653 | |a Ted Shawn. | ||
| 653 | |a Upward Panic. | ||
| 653 | |a ancient Greek life. | ||
| 653 | |a ancient Greek models. | ||
| 653 | |a conventional society. | ||
| 653 | |a cultural biography. | ||
| 653 | |a daily life. | ||
| 653 | |a lesbian. | ||
| 653 | |a nonconformist. | ||
| 653 | |a photographs. | ||
| 653 | |a political action. | ||
| 653 | |a weaving. | ||
| 653 | |a writing. | ||
| 655 | 7 | |a collective biographies. |2 aat | |
| 655 | 7 | |a Biographies. |2 fast |0 (OCoLC)fst01919896 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Biographies. |2 lcgft | |
| 655 | 7 | |a Biographies. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |z 9780691171722 |z 0691171726 |w (DLC) 2018939875 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv5j01vj |z Texto completo |
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