|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1080250897 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
181219s2019 maua ob 001 0 eng |
010 |
|
|
|a 2018060785
|
040 |
|
|
|a DLC
|b eng
|e rda
|e pn
|c DLC
|d OCLCO
|d OCLCF
|d YDX
|d N$T
|d EBLCP
|d YDX
|d OCLCQ
|d DEGRU
|d LUN
|d BRF
|d JSTOR
|d OCLCO
|d OCLCQ
|d SFB
|d OCLCO
|
019 |
|
|
|a 1171740926
|
020 |
|
|
|a 1618119656
|q (electronic book)
|
020 |
|
|
|a 9781618119650
|q (electronic book)
|
020 |
|
|
|z 9781618119636
|
024 |
7 |
|
|a 10.1515/9781618119650.
|2 doi
|
029 |
1 |
|
|a AU@
|b 000066517158
|
029 |
1 |
|
|a AU@
|b 000065533981
|
035 |
|
|
|a (OCoLC)1080250897
|z (OCoLC)1171740926
|
037 |
|
|
|a 22573/ctv1zg1pqz
|b JSTOR
|
042 |
|
|
|a pcc
|
043 |
|
|
|a e-ru---
|
050 |
1 |
4 |
|a PN1993.5.R9
|b R843 2019
|
072 |
|
7 |
|a PER
|x 009000
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 004030
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 057000
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 004010
|2 bisacsh
|
072 |
|
7 |
|a HIS
|x 037080
|2 bisacsh
|
082 |
0 |
0 |
|a 791.430947/09051
|2 23
|
049 |
|
|
|a UAMI
|
245 |
0 |
4 |
|a The contemporary Russian cinema reader 2005-2016 /
|c edited by Rimgaila Salys.
|
264 |
|
1 |
|a Boston :
|b Academic Studies Press,
|c 2019.
|
300 |
|
|
|a 1 online resource (401 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Film and media studies
|
504 |
|
|
|a Includes bibliographical references and index.
|
520 |
|
|
|a "The early years of the twenty-first century have been an exciting transitional period in Russian cinema, as the industry recovered from the crises of the late 1990s and again stepped onto the global stage. During these years four generations, from the late Soviet directors through post-Soviet and New Russian filmmakers to the Russian millennials, have worked in varying visual styles and with diverse narrative strategies, while searching for a new cinematic language. Financing and distribution models have evolved, along with conservative politics driving Ministry of Culture regulation. This reader is intended both for contemporary Russian cinema courses and for modern Russian culture courses that emphasize film. It does not attempt to establish a canon for the period but seeks to provide undergraduate students with an introduction to significant Russian films released between 2005 and 2016 that are also available with English subtitles. The twenty-one essays on individual films provide background information on directors' careers, detailed analyses of selected films, along with suggested further readings both in English and Russian"--
|c Provided by publisher.
|
505 |
0 |
|
|a Introduction. Russian cinema in the era of globalization / Vlad Strukov -- Dead man's bluff (Aleksei Balabanov, 2005) / Aleksandr Prokhorov -- The sun (dir. Aleksandr Sokurov, 2005) / Denise J. Youngblood -- Cargo 200 (dir. Aleksei Balabanov, 2007) / Anthony Anemone -- Mermaid (dir. Anna Melikian, 2007) / Helena Goscilo -- Hipsters (dir. Valery Todorovsky, 2008) / Rimgaila Salys -- Silent souls (dir. Aleksei Fedorchenko, 2010): imaginary documents: inventing traditions in Aleksei Fedorchenko's cinema / Serguey Oushakine -- The smoke of the fatherland: body as territory, sexuality as identity in silent souls / Tatiana Mikhailova -- My joy (dir. Sergei Loznitsa, 2010) / Justin Wilmes -- Elena (dir. Andrei Zviagintsev, 2011): Andrei Zviagintsev: unblinking chronicler of family crisis and human frailty / Julian Graffy -- Crime without punishment? Andrei Zviagintsev's Elena between art cinema and social drama / Elena Prokhorova -- The target (dir. Aleksandr Zel'dovich, 2011) / Ilya Kukulin -- The horde (dir. Andrei Proshkin, 2012) / Tom Roberts -- Short stories (dir. Mikhail Segal, 2012): lost in translation / Mark Lipovetsky -- Tell me what you know about Russia? / Liliia Nemchenko -- Legend number 17 (dir. Nikolai Lebedev, 2013) / Greg Dolgopolov -- Hard to be a god (dir. Aleksei German, 2013): God complex / Anton Dolin, Aleksei German -- From realism to modernism / Elena Stishova -- Leviathan (dir. Andrei Zviagintsev, 2014) / Julian Graffy -- The land of oz (dir. Vasily Sigarev, 2015) / Liliia Nemchenko -- My good hans (dir. Aleksandr Mindadze, 2015) / Steve Norris -- Paradise (dir. Andrei Konchalovsky, 2016) / Jeremy Hicks.
|
588 |
0 |
|
|a Online resource; title from digital title page (viewed on September 16, 2019).
|
546 |
|
|
|a In English.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a Motion pictures
|z Russia (Federation)
|x History
|y 21st century.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS / Film & Video / History & Criticism
|2 bisacsh
|
650 |
|
7 |
|a Motion pictures
|2 fast
|
651 |
|
7 |
|a Russia (Federation)
|2 fast
|
648 |
|
7 |
|a 2000-2099
|2 fast
|
653 |
|
|
|a Aleksandr Mindadze.
|
653 |
|
|
|a Aleksandr Sokurov.
|
653 |
|
|
|a Aleksandr Zel'dovich.
|
653 |
|
|
|a Aleksei Balabanov.
|
653 |
|
|
|a Aleksei Fedorchenko.
|
653 |
|
|
|a Aleksei German.
|
653 |
|
|
|a Andrei Konchalovsky.
|
653 |
|
|
|a Andrei Proshkin.
|
653 |
|
|
|a Andrei Zviagintsev.
|
653 |
|
|
|a Anna Melikian.
|
653 |
|
|
|a Cargo 200.
|
653 |
|
|
|a Contemporary Russian Culture.
|
653 |
|
|
|a Contemporary Russian film.
|
653 |
|
|
|a Dead Man's Bluff.
|
653 |
|
|
|a Elena.
|
653 |
|
|
|a Hard to be a God.
|
653 |
|
|
|a Hipsters.
|
653 |
|
|
|a Legend Number 17.
|
653 |
|
|
|a Leviathan.
|
653 |
|
|
|a Mermaid.
|
653 |
|
|
|a Mikhail Segal.
|
653 |
|
|
|a My Good Hans.
|
653 |
|
|
|a My Joy.
|
653 |
|
|
|a Nikolai Lebedev.
|
653 |
|
|
|a Paradise.
|
653 |
|
|
|a Post-Soviet film.
|
653 |
|
|
|a Russian cinema.
|
653 |
|
|
|a Sergei Loznitsa.
|
653 |
|
|
|a Short Stories.
|
653 |
|
|
|a Silent Souls.
|
653 |
|
|
|a The Horde.
|
653 |
|
|
|a The Land of Oz.
|
653 |
|
|
|a The Sun.
|
653 |
|
|
|a The Target.
|
653 |
|
|
|a Valery Todorovsky.
|
653 |
|
|
|a Vasily Sigarev.
|
653 |
|
|
|a cinema.
|
653 |
|
|
|a film.
|
655 |
|
7 |
|a History
|2 fast
|
700 |
1 |
|
|a Salys, Rimgaila,
|e editor.
|
776 |
0 |
8 |
|i Print version:
|t Russian cinema reader.
|d Boston : Academic Studies Press, 2019
|z 9781618119636
|w (DLC) 2018057555
|
830 |
|
0 |
|a Film and media studies (Boston, Mass.)
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1zjg9n8
|z Texto completo
|
938 |
|
|
|a De Gruyter
|b DEGR
|n 9781618119650
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL5754840
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1901975
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 16175060
|
994 |
|
|
|a 92
|b IZTAP
|