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Renaissance Papers 2017 /

Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2017 volume opens with a trio of essays probing identity, iconography, and devotional imagery in connection with the sacred spaces of St. Paul's Cathedral and of the Bichi C...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor Corporativo: Southeastern Renaissance Conference
Otros Autores: Pearce, Jim (Editor ), Risvold, Ward J. (Editor )
Formato: Electrónico Congresos, conferencias eBook
Idioma:Inglés
Publicado: Rochester, New York : Woodbridge, Suffolk : Published for the Southeastern Renaissance Conference by Camden House ; Boydell & Brewer, [2018]
Colección:Renaissance Papers ; 2017
Temas:
Acceso en línea:Texto completo

MARC

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500 |a "A selection of papers submitted to the Seventy-Fourth Annual Meeting, October 13-14, 2017, University of South Carolina, Columbia, South Carolina"--Page vii 
520 8 |a Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2017 volume opens with a trio of essays probing identity, iconography, and devotional imagery in connection with the sacred spaces of St. Paul's Cathedral and of the Bichi Chapel frescoes in the Church of St. Agostino in Siena, as well as with Francisco de Zurburan's Crucifixion with a Painter. The majority of the volume's essays concern early modern drama: botany and the body in Titus Andronicus; Ovidian sleep in Romeo and Juliet, The Winter's Tale, and Othello; chivalry in Richard II and 1 Henry IV; transhumanist discourse in Othello; obedience and devils in Dr. Faustus, and domesticity and commerce in A Chaste Maid in Cheapside. The focus then shifts to the non-dramatic with reconsiderations of the intertextualities in Shakespeare's The Rape of Lucrece and the paratextualities in Salve Deus Rex Judaeorum. The final essay, on the Faerie Queene, explores the intended and unintended literary consequences of pairing humor with death. The journal is edited by Jim Pearce of North Carolina Central University and Ward J. Risvold of the University of California, San Diego. 
505 0 |a Frontcover; Contents; The Contested Pliability of Sacred Space in St. Paul's Cathedral and Paul's Churchyard in Early Modern London; Classicism from Urbino: The Bichi Chapel Frescoes by Francesco di Giorgio Martini; Visualizing the Paragone in Francisco de Zurbarán's Crucifixion with a Painter; A Change in the Making: Shakespeare's Ovidian Sleep of Death and Display; Old Black Rams and Mortal Engines: Transhumanist Discourse in Othello; Dying with Speed and Felicity: Humor and Death in Book 3 of the Faerie Queene; "If Devils Will Obey Thy Hest": Devils in Dr. Faustus and The French Historie 
505 8 |a Rewriting Lucrece: Intertextuality and the Tale of LucreceEconomy and "Honesty" in Thomas Middleton's A Chaste Maid in Cheapside; Glossing Authorship: Printed Marginalia in Aemilia Lanyer's Salve Deus Rex Judaeorum; Botany and the Maternal Body in Titus Andronicus; Unhorsing the Lustiest Challenger: Reflections on Chivalry in Richard II and Henry IV, Part 1 
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