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Artistic transfer : efficiency through unruly thinking /
Creativity is not a prisoner of art! Non-conformist, non-linear, unruly thought and action have always led to great works of art, pathbreaking inventions and forward-looking perspectives, helping us deal with social, ecological and economic challenges. But how can it find its way into our everyday w...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript-Verlag,
[2018]
|
| Colección: | Image (Transcript (Firm)) ;
v. 150. Dortmunder Schriften zur Kunst. Studies on art in extra-artistic fields ; v. 5. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bertram, Ursula, |e author. | |
| 245 | 1 | 0 | |a Artistic transfer : |b efficiency through unruly thinking / |c Ursula Bertram |
| 264 | 1 | |a Bielefeld : |b Transcript-Verlag, |c [2018] | |
| 264 | 4 | |c ©2018 | |
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| 490 | 1 | |a Image ; |v volume 150 | |
| 490 | 1 | |a Dortmunder Schriften zur Kunst. Studies on art in extra-artistic fields ; |v Band 5 | |
| 520 | |a Creativity is not a prisoner of art! Non-conformist, non-linear, unruly thought and action have always led to great works of art, pathbreaking inventions and forward-looking perspectives, helping us deal with social, ecological and economic challenges. But how can it find its way into our everyday working life? The crucial step, Ursula Bertram contends, is to reach a synergy of logically justifiable knowledge and the capacity to navigate in open systems. To find out how such synergy could come about, Ursula Bertram has observed the strategies and principles of artists, theatre directors, musicians and unruly thinkers and compared them with the stories of physicists, mathematicians, managers and researchers. She shows that when artistic thought is circulated and tested in fields beyond the arts, an extremely efficient pattern called artistic transfer emerges. With contributions by Bazon Brock, Werner Preißing, and others | ||
| 504 | |a Includes bibliographical references | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Print version record | |
| 505 | 0 | 0 | |t Frontmatter -- |t TABLE OF CONTENTS -- |t PREFACE -- |t Part 1. THOUGHT OUT -- |t THE MISSING LINK -- |t DEVELOPING NON-LINEAR THOUGHT AND ACTION -- |t SCIENTIFIC THINKING AND WORKING -- |t INTELLIGENT UNKNOWING -- |t POROUS CONDITIONS -- |t WHAT IS THE OPPOSITE OF FROG? -- |t THE ARTISTIC PROCESS -- |t ARTISTIC THOUGHT AND ACTION -- |t THE ARTISTIC ATTITUDE -- |t NAVIGATING IN OPEN SYSTEMS -- |t A MODEL FOR THE FUTURE -- |t THINKING DIFFERENTLY -- WHERE DOES IT LEAD? -- |t Part 2. DEMANDED SAMPLED DISCUSSED TRANSFERRED -- |t Resolution -- |t SYMPOSIUM 2010 -- ART SPONSORS BUSINESS -- |t Part 2. DEMANDED SAMPLED DISCUSSED TRANSFERRED -- |t [ID]FACTORY: THE THOUGHT FACTORY -- |t YOUNG LAB -- RESEARCH QUESTIONS FROM BUSINESS -- |t PROFESSIONAL LAB: INTERVENTIONS FOR BUSINESS -- |t Part 2 DISCUSSED -- |t JANUAR FORUM FACTORY -- |t CLEUYOU CULTURE FACTORY -- |t INNOVATION: HOW DOES IT WORK? -- |t ART SPONSORS SCIENCE -- |t Part 2 TRANSFERRED -- |t MODELS, STRATEGIES, PRINCIPLES -- |t THE PRINCIPLE OF ARTISTIC TRANSFER -- |t THE HOURGLASS PRINCIPLE -- |t THE CLOVERLEAF MODEL -- |t THE BOLERO PRINCIPLE -- |t PUBLICATIONS -- |t BIBLIOGRAPHY -- |t IMAGE CREDITS -- |t IMPRINT |
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| 650 | 0 | |a Creation. | |
| 650 | 0 | |a Creative ability. | |
| 650 | 0 | |a Art and society. | |
| 650 | 2 | |a Creativity | |
| 650 | 6 | |a Création. | |
| 650 | 6 | |a Créativité. | |
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| 650 | 7 | |a Creative ability. |2 fast |0 (OCoLC)fst00882417 | |
| 700 | 1 | |a Preissing, Werner, |e illustrator. | |
| 776 | 0 | 8 | |i Print version: |a Bertram, Ursula. |t Artistic Transfer. |d Bielefeld : Transcript-Verlag, [2018] |z 9783837646689 |z 3837646688 |w (OCoLC)1059470945 |
| 830 | 0 | |a Image (Transcript (Firm)) ; |v v. 150. | |
| 830 | 0 | |a Dortmunder Schriften zur Kunst. |p Studies on art in extra-artistic fields ; |v v. 5. | |
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