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Queer exceptions : solo performance in neoliberal times /

Queer expectations is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostoj...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Greer, Stephen, 1978- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, [2019]
Colección:Theatre (Manchester, England)
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Greer, Stephen,  |d 1978-  |e author. 
245 1 0 |a Queer exceptions :  |b solo performance in neoliberal times /  |c Stephen Greer. 
264 1 |a Manchester :  |b Manchester University Press,  |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource (ix, 248 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Theatre: Theory - Practice - Performance Ser. 
504 |a Includes bibliographical references and index. 
520 8 |a Queer expectations is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or 'exceptional' subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre's attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium. 
505 0 |a Locating solo performance -- The martyr: dramaturgies of endurance, exhaustion and confession -- The pariah: queer outcasts and the politics of wounded attachment -- The killjoy: public unhappiness and theatrical scapegoats -- The stranger: performing 'out-of-placeness' in the UK and Europe -- The misfit: illness, disability and 'improper' subjects -- The optimist: alternatives in the here and now. 
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650 0 |a Gays and the performing arts  |z Great Britain. 
650 0 |a Homosexuality in the theater  |z Great Britain. 
650 6 |a Homosexuels et arts du spectacle  |z Grande-Bretagne. 
650 6 |a Homosexualité au théâtre  |z Grande-Bretagne. 
650 7 |a SPORTS & RECREATION  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 7 |a Gays and the performing arts  |2 fast 
650 7 |a Homosexuality in the theater  |2 fast 
651 7 |a Great Britain  |2 fast 
655 7 |a Monodramas (Literature)  |2 fast 
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776 0 8 |i Print version:  |a Greer, Stephen, 1978-  |t Queer exceptions.  |d Manchester : Manchester University Press, 2019  |z 1526113694  |w (OCoLC)1084568482 
830 0 |a Theatre (Manchester, England) 
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