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|a 1114386012
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|a 9781609386481
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|a UAMI
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|a Performing the Progressive Era :
|b immigration, urban life, and nationalism on stage /
|c edited by Max Shulman and J. Chris Westgate.
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|a Iowa City :
|b University of Iowa Press,
|c 2019.
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|a 1 online resource
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|a text
|b txt
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|a Studies in theatre history and culture
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|a Includes bibliographical references and index.
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|a Foreword / by Laurence Senelick -- Rural life with urban strife: the evolution of rural drama in the late nineteenth century / by Amy Arbogast -- Marching off-beat and on screen: New York City's reform movements & Charles Hale Hoyt's A milk white flag / by Hillary Miller -- 'Wasn't America crowded enough wid out you forrinners?': staging immigration, assimilation, and social mobility in the Rooseveltian nation / by J. Chris Westgate -- Systematic Vaudeville and systematic farce: the unlikely team of Taylor and Schmidt / by Michael Schwartz -- Immigrant civic performances and historical pageantry: Columbus Day in Chicago, 1892/1913 / by Megan E. Geigner -- "Art in democracy" in the early houses of the Cleveland Play House / by Les Hunter -- New women and girls of today in motion: the "strenuous clasping" of tango teas / by Ariel Nereson -- Keaton, class, and social control: comic Vaudeville in the Progressive Era / by Rick Desrochers -- Celebrating childhood on the Vaudeville stage / by Gillian Arrighi -- Monstrosity or medical miracle?: incubator baby sideshows and the contradictions of the Progressive Era / by Susan Kattwinkel -- The Progressive Era's doctor-doper dyad / by Max Shulman -- Conclusion / by Max Shulman and J. Chris Westgate.
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|a "The American Progressive Era, which spanned from the 1880s to the 1920s, is generally regarded as a dynamic period of political reform and social activism. In Performing the Progressive Era, editors Max Shulman and Chris Westgate bring together top scholars in nineteenth- and twentieth-century theatre studies to examine the burst of diverse performance venues and styles of the time, revealing how they shaped national narratives surrounding immigration and urban life. Contributors analyze performances in urban centers (New York, Chicago, Cleveland) in comedy shows, melodramas, Broadway shows, operas, and others. They pay special attention to performances by and for those outside mainstream society: immigrants, the working-class, and bohemians, to name a few. Showcasing both lesser-known and famous productions, the essayists argue that the explosion of performance helped bring the Progressive Era into being, and defined its legacy in terms of gender, ethnicity, immigration, and even medical ethics."--EBSCO.
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|b Books at JSTOR All Purchased
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|a JSTOR
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|a Performing arts
|x Social aspects
|z United States
|x History
|y 19th century.
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|a Performing arts
|x Social aspects
|z United States
|x History
|y 20th century.
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|a Theater and society
|z United States
|x History
|y 19th century.
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|a Theater and society
|z United States
|x History
|y 20th century.
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|a Arts du spectacle
|x Aspect social
|z États-Unis
|x Histoire
|y 19e siècle.
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|a Arts du spectacle
|x Aspect social
|z États-Unis
|x Histoire
|y 20e siècle.
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|a Théâtre et société
|z États-Unis
|x Histoire
|y 19e siècle.
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|a Théâtre et société
|z États-Unis
|x Histoire
|y 20e siècle.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x General.
|2 bisacsh
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|a Performing arts
|x Social aspects
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|a Theater and society
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|a United States
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|a 1800-1999
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|a History
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|a Shulman, Max,
|d 1980-
|e editor.
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|a Westgate, J. Chris,
|e editor.
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|i Print version:
|t Performing the Progressive Era.
|d Iowa City : University of Iowa Press, 2019
|w (DLC) 2018044538
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvgs0cvs
|z Texto completo
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|a ProQuest Ebook Central
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|a EBSCOhost
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|a Askews and Holts Library Services
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