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Unlimited action : the performance of extremity in the 1970s /
Unlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by way of performance art. It examines the 'performance of extremity' as practices at the limits...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2019.
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| Colección: | Theatre (Manchester, England)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Johnson, Dominic W., |e author. | |
| 245 | 1 | 0 | |a Unlimited action : |b the performance of extremity in the 1970s / |c Dominic Johnson. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2019. | |
| 300 | |a 1 online resource (xiii, 217 pages) | ||
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| 490 | 1 | |a Theatre: Theory - Practice - Performance | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Unlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by way of performance art. It examines the 'performance of extremity' as practices at the limits of the histories of performance and art, in performance art's most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps. Through close encounters with these six artists and their works, and a broader contextual milieu of artists and works, Johnson articulates a counter-history of actions in a new narrative of performance art in the 1970s, to rethink and rediscover the history of contemporary art and performance. | |
| 505 | 0 | |a Front matter; Dedication; Contents; List of figures; Acknowledgements; Introduction: Performance -- action -- extremity; The preferred ordeal; A criminal touch; The dirtying intention; Impossible things; The art of sabotage; Conclusion: Reckless people; References; Index. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on May 29, 2019). | |
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
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| 776 | 0 | 8 | |i Print version: |a Johnson, Dominic. |t Unlimited action. The performance of extremity in the 1970s. |d Manchester : Manchester University Press 2018 |z 9780719091605 |w (OCoLC)1054395348 |
| 830 | 0 | |a Theatre (Manchester, England) | |
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