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The audience effect : on the collective cinema experience /
In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2018]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hanich, Julian, |d 1975- |e author |4 aut | |
| 245 | 1 | 4 | |a The audience effect : |b on the collective cinema experience / |c Julian Hanich. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (ix, 325 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 293-312) and indexes. | ||
| 520 | |a In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide. | ||
| 505 | 0 | 0 | |g Part I. Establishing shot: definition and history. |g 1. Introduction: |t What is the audience effect? -- |g 2. |t Excavating the audience effect: precursors in the history of film theory -- |g Part II. Long shot: types of collective viewing. |g Introductory notes -- |g 3. |t Quiet-attentive viewing: toward a typology of collective spectatorship, part I -- |g 4. |t Expressive-diverted viewing: toward a typology of collective spectatorship, part II -- |g Part III. Medium shot: on the cinema's affective audience effects. |g 5. |t I, you, and we: investigating the cinema's affective audience interrelations -- |g 6. |t Feeling close: conceptualizing the cinema's affective we-experience -- |g Part IV. Close-up: case studies of affective audience effects. |g 7. |t Chuckle, chortle, cackle: a phenomenology of cinematic laughter -- |g 8. |t When viewers silently weep: a phenomenology of cinematic tears -- |g 9. |t Trouble every day: a phenomenology of cinematic anger -- |g Part V. fade-out: conclusion. |g 10. |t The audience effect in the cinema and beyond. |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion picture audiences. | |
| 650 | 0 | |a Motion picture audiences |x Psychology. | |
| 650 | 0 | |a Motion picture audiences |x Social aspects. | |
| 650 | 6 | |a Cinéma |x Publics. | |
| 650 | 6 | |a Cinéma |x Publics |x Psychologie. | |
| 650 | 6 | |a Cinéma |x Publics |x Aspect social. | |
| 650 | 7 | |a PSYCHOLOGY |x Social Psychology. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z Middle East |x General. |2 bisacsh | |
| 650 | 7 | |a Media Studies. |2 eflch | |
| 650 | 7 | |a Motion picture audiences. |2 fast |0 (OCoLC)fst01027116 | |
| 650 | 7 | |a Motion picture audiences |x Psychology. |2 fast |0 (OCoLC)fst01027120 | |
| 650 | 7 | |a Media Studies. |2 ukslc | |
| 776 | 0 | 8 | |i Print version: |a Hanich, Julian, 1975- |t Audience effect. |d Edinburgh : Edinburgh University Press, [2018] |z 9781474414951 |w (DLC) 2017486795 |w (OCoLC)1014458498 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1tqxtz7 |z Texto completo |
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