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181112s2018 ne ob 001 1 eng d |
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|a 1065943085
|a 1264477960
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|a 9789048543526
|q (electronic bk.)
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|a 9048543525
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|z 9789463725002
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|a 10.1515/9789048543526
|2 doi
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|z (OCoLC)1264477960
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|a 22573/ctv89th3h
|b JSTOR
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|a 026.79143
|2 23
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|a UAMI
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|a Fossati, Giovanna,
|e author.
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|a From grain to pixel :
|b the archival life of film in transition /
|c Giovanna Fossati.
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|a Third revised edition.
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|a Amsterdam :
|b Amsterdam University Press,
|c 2018.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
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|a Framing film
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|a Online resource; title from PDF title page (EBSCO, viewed November 19, 2018).
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|a Includes bibliographical references and index.
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|t Frontmatter --
|t TABLE OF CONTENTS --
|t ACKNOWLEDGEMENTS --
|t Introduction to the Third Revised Edition --
|t Framing Film (in Transition): an Introduction --
|t PART ONE: PRACTICE AND THEORY OF (ARCHIVAL) FILM --
|t CHAPTER ONE. Film Practice in Transition --
|t CHAPTER TWO. Theorizing Archival Film --
|t PART TWO: THEORIZING (ARCHIVAL) PRACTICE --
|t CHAPTER THREE. Film Archival Field in Transition --
|t CHAPTER FOUR. Restoration Case Studies: Theorizing Archival Practice --
|t A New Mindset for (Archival) Film in Transition: a Conclusion --
|t Conclusions to the Third Revised Edition --
|t NOTES --
|t NOTES TO THE THIRD REVISED EDITION --
|t GLOSSARY OF TECHNICAL TERMS --
|t LIST OF ILLUSTRATIONS --
|t FILMOGRAPHY --
|t BIBLIOGRAPHY --
|t INDEX --
|t Pictures
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|a In From Grain to Pixel, Giovanna Fossati analyzes the transition from analog to digital film and its profound effects on filmmaking and film archiving. Reflecting on the theoretical conceptualization of the medium itself, Fossati poses significant questions about the status of physical film and the practice of its archival preservation, restoration and presentation. From Grain to Pixel attempts to bridge the fields of film archiving and academic research by addressing the discourse on film's ontology and analyzing how different interpretations of what film is affect the role and practices of film archives. Ultimately, Fossati proposes a novel theorization of film archival practice as the starting point for a renewed dialogue between film scholars and film archivists. Almost a decade after its first publication, this updated edition covers the latest developments in the field. Besides a new general introduction, a new conclusion and extensive updates to each chapter, a novel theoretical framework and a new case study have been added.
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|a In English.
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590 |
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|a JSTOR
|b Books at JSTOR Open Access
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Film archives.
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|a Digital preservation.
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|a Motion picture film
|x Preservation.
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|a Archives cinématographiques.
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|a Films (Pellicules cinématographiques)
|x Conservation.
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|a FICTION
|x General.
|2 bisacsh
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|a ART
|x General.
|2 bisacsh
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|a Digital preservation.
|2 fast
|0 (OCoLC)fst00893721
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|a Film archives.
|2 fast
|0 (OCoLC)fst00924254
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|a Motion picture film
|x Preservation.
|2 fast
|0 (OCoLC)fst01027139
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0 |
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|a Cinemateques.
|2 lemac
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0 |
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|a Preservació digital.
|2 lemac
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|a Pel·lícules cinematogràfiques (Material fotogràfic)
|x Conservació i restauració
|2 lemac
|
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2 |
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|a Nederlands Filmmuseum.
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|i Print version (paperback):
|z 9789463725002
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|a Framing film (Amsterdam, Netherlands)
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv8bt181
|z Texto completo
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|a EBSCOhost
|b EBSC
|n 1933144
|
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|a YBP Library Services
|b YANK
|n 15837733
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|a 92
|b IZTAP
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