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The greatest films never seen : the film archive and the copyright smokescreen /
Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitise and share their archives, they are often hampered by the uncertain rights status of items in thei...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press : EYE Filmmuseum,
[2018]
|
| Colección: | Framing film.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Op den Kamp, Claudy, |d 1974- |e author. | |
| 245 | 1 | 4 | |a The greatest films never seen : |b the film archive and the copyright smokescreen / |c Claudy Op den Kamp. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press : |b EYE Filmmuseum, |c [2018] | |
| 300 | |a 1 online resource (185 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Framing Film | |
| 504 | |a Includes bibliographical references (pages 167-181) and index. | ||
| 505 | 0 | |a The Orphan in a Handbag : an introduction to the film archive and intellectual property -- Terra Incognita. The Nederlands Filmmuseum/EYE Film Institute Netherlands -- A Swiss Bank : recategorization I : the embargoed film -- A Handbag : recategorization II : the orphan film -- A Vehicle of Power : recategorization III : the public domain film (or, what orphan films are not) -- A Birthplace : the begotten film -- The Potential for History-Making : of accidents and activation -- Conclusion : the Brighton line. | |
| 588 | |a Description based on online resource; title from PDF title page (viewed on 12/14/2020). | ||
| 520 | 8 | |a Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitise and share their archives, they are often hampered by the uncertain rights status of items in their collections. This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public. | |
| 506 | 0 | |a Open Access |5 EbpS | |
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Copyright |x Motion pictures. | |
| 650 | 0 | |a Orphan works (Copyright) | |
| 650 | 0 | |a Film archives. | |
| 650 | 6 | |a Droit d'auteur |x Cinéma. | |
| 650 | 6 | |a Œuvres orphelines (Droit d'auteur) | |
| 650 | 6 | |a Archives cinématographiques. | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Library & Information Science |x Archives & Special Libraries. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x General. |2 bisacsh | |
| 650 | 7 | |a Copyright |x Motion pictures. |2 fast |0 (OCoLC)fst00878746 | |
| 650 | 7 | |a Film archives. |2 fast |0 (OCoLC)fst00924254 | |
| 650 | 7 | |a Orphan works (Copyright) |2 fast |0 (OCoLC)fst01749619 | |
| 655 | 4 | |a Electronic books. | |
| 773 | 0 | |t De Gruyter Open Books. |d De Gruyter | |
| 776 | 0 | 8 | |i Print version: |a Op den Kamp, Claudy, 1974- |t The greatest films never seen : the film archive and the copyright smokescreen. |d Amsterdam : Amsterdam University Press : EYE Filmmuseum, [2018] |z 9789462981393 |
| 830 | 0 | |a Framing film. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv7r41zm |z Texto completo |
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