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|a Back to the Futurists :
|b the avant-garde and its legacy /
|c edited by Elza Adamowicz and Simona Storchi.
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|a Manchester :
|b Manchester University Press,
|c 2013.
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|a Introduction -- Engaging the crowd : the futurist manifesto as avant-garde advertisement -- Heroes/heroinse of futurist culture : oltreuomo/oltredonna -- 'Out of touch' : F.T. Marinetti's Il tattilismo and the futurist critique of separation -- La bomba-romanzo esplosivo, or Dada's burning heart -- Futurist canons and the development of avant-garde historiography (futurism-expressionism-Dadaism) -- 'An infinity of living forms, representative of the absolute'? Reading futurism with Pierre Albert-Birot as witness, creative collaborator and dissenter -- The dispute over simultaneity : Boccioni-Delaunay, interpretational error or Bergsonian practice? -- Fernand Leger's La noce : the bride stripped here? -- Noctural itineraries : occultism and metamorphic self in Florentine futurism -- 'A hysterical hullo-bullo about motor cars' : the Vorticist critique of futurism, 1914-1919 -- Futurist performance, 1910-1916 -- Le roi Bombance : the original futurist cookbook? -- The cult of the 'expressive' in Italian futurist poetry : new challenges to reading -- Visual approaches to futurist aeropoetry -- The untameables : language and politics in Gramsci and Marinetti -- The dark side of futurism : Manetti and technological war -- Rethinking interdisciplinarity : futurist cinema as metamedium -- A very beautiful day after tomorrow : Luca Buvoli and the legacy of futurism.
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|a Includes bibliographical references and index.
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|a In 1909 the Italian poet Filippo Tommaso Marinetti's 'Founding Manifesto of Futurism' was published on the front page of Le Figaro. Between 1909 and 1912 the Futurists published over thirty manifestos, celebrating speed and danger, glorifying war and technology, and advocating political and artistic revolution. This collection of essays aims to reassess the activities of the Italian Futurist movement from an international and interdisciplinary perspective, focusing on its activities and legacies in the field of poetry, painting, sculpture, theatre, cinema, advertising and politics. The essays offer exciting new readings in gender politics, aesthetics, historiography, intermediality and interdisciplinarity. They explore the works of major players of the movement as well as its lesser-known figures, and the often critical impact of Futurism on contemporary or later avant-garde movements such as Cubism, Dada and Vorticism.
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|a Futurism (Art)
|z Italy.
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|a Futurism (Literary movement)
|z Italy.
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|a Futurisme (Art)
|z Italie.
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|a Futurisme (Mouvement littéraire)
|z Italie.
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|a LITERARY CRITICISM
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|x Italian.
|2 bisacsh
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|a ART
|x History
|x General.
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|a Adamowicz, Elza,
|e editor.
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|a Storchi, Simona,
|e editor.
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