Cargando…

Corporeality in early cinema : viscera, skin, and physical form /

"Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on and off screen (and in affiliated media and technological constellations), the body consists of flesh and nerves a...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Dahlquist, Marina (Editor ), Galili, Doron (Editor ), Olsson, Jan, 1952- (Editor ), Robert, Valentine, 1982- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Bloomington, Indiana : Indiana University Press, [2018]
Colección:Early cinema in review.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 i 4500
001 JSTOR_on1057241157
003 OCoLC
005 20231005004200.0
006 m o d
007 cr |||||||||||
008 181015s2018 inua ob s001 0 eng
010 |a  2018049720 
040 |a DLC  |b eng  |e rda  |e pn  |c DLC  |d OCLCO  |d N$T  |d JSTOR  |d EBLCP  |d OCLCF  |d YDX  |d CNCGM  |d CUS  |d YDX  |d OCLCO  |d P@U  |d MERER  |d IDB  |d OCLCQ  |d AU@  |d OCL  |d OCLCQ  |d VLY  |d K6U  |d OCLCO  |d OCLCQ  |d JG0  |d OCLCO 
019 |a 1162086942  |a 1241946219  |a 1300533415 
020 |a 9780253033666  |q (electronic book) 
020 |a 0253033667  |q (electronic book) 
020 |a 9780253033680  |q (electronic book) 
020 |a 0253033683  |q (electronic book) 
020 |z 9780253033659  |q (paperback) 
035 |a (OCoLC)1057241157  |z (OCoLC)1162086942  |z (OCoLC)1241946219  |z (OCoLC)1300533415 
037 |a 22573/ctv6z4txc  |b JSTOR 
041 1 |a eng  |a fre  |h fre 
042 |a pcc 
050 1 4 |a PN1995.9.B62  |b C68 2018 
072 7 |a PER  |x 009000  |2 bisacsh 
072 7 |a PER  |x 004030  |2 bisacsh 
082 0 0 |a 791.43/6561  |2 23 
049 |a UAMI 
245 0 0 |a Corporeality in early cinema :  |b viscera, skin, and physical form /  |c edited by Marina Dahlquist, Doron Galili, Jan Olsson, and Valentine Robert. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [2018] 
300 |a 1 online resource (viii, 360 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Early cinema in review : proceedings of Domitor 
500 |a Some essays translated from the French, with original French text in the appendix. 
520 1 |a "Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on and off screen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators took and still take away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen"--  |c Provided by publisher. 
504 |a Includes bibliographical references and index. 
505 0 |a The impossible body of early film / Tom Gunning -- Ovidian violence: George Melies' explosive screen bodies / Vito Adriaensens -- The body under the scalpel in the illustrated press and the cinema / Jeremy Houillere ; translated by Timothy Barnard -- Ghosts and their nationality in the Fin de siecle machinery / Ian Christie -- Field trip to insanity: bodies and minds in the Dr. Maestre film collection (Spain, 1915) / Luis Alonso Garcia, Daniel Sanchez Salas, and Begona Soto Vazquez -- The celluloid specimens: animal origins for the moving image / Benjamin Schultz-Figueroa -- Death by a thousand cuts: on-screen executions in early American cinema / Gary D. Rhodes -- Staged bodies, caged bodies: early cinema in the age of human zoos / Rodolphe Gahery ; translated by Timothy Barnard -- "Stills from a film that is missing": Indigenous images and the photographic interval in early cinema / Joanna Hearne -- Risky business: the early film actor and discourses of danger / Charlie Keil and Denise McKenna -- Bodies in motion: dancing and boxing in early Norwegian cinema / Gunnar Iversen -- The beauty of the forzuti: irresistible male bodies on- and offscreen / Ivo Blom -- Nudity in early cinema, or the pictorial transgression / Valentine Robert -- Paul Capellani: the body put to the test by cinema / Sebastien Dupont-Bloch ; translated by Timothy Barnard -- Hair and hairiness in early cinema / Jean-Claude Seguin ; translated by Timothy Barnard -- Lumiere agents in Mexico: the "body" of film as a late-nineteenth-century discourse / John Fullerton -- Breathing faces, twinkling eyes: on cinematic visage in Russian films of the 1910s / Oksana Chefranova -- Making faces: character and makeup in early cinema / Alice Maurice -- "Keep it dark": the fatale attraction of the female viewer's body / Mireille Berton -- "The best synonym of youth": G. Stanley Hall, mimetic play, and early cinema's embodied youth spectator / Christina Petersen -- Perils of cinema: the German cinema debate and the "nerve-racking" medium / Stephanie Werder -- "The taste of the moment seems all for 'pictures'": Irish historical bodies before the early cinema screen / Denis Condon -- The viewer's body in motion: physical and virtual effects of three-dimensional spectacles / Martin Barnier ; translated by Timothy Barnard -- Moving the spectator, dancing with the screen: early dance instruction films and reconfigurations of film spectatorship in the 1910s / Kristina Kohler -- A rational and entertaining species of amusement to bipeds of all ages: the splendid camera obscura / Alison Reiko Loader -- Le corps sous le scalpel de la presse illustree et du cinema / Jeremy Houillere -- Corps mis en scene, corps mis en cage: le cinematographe au temps des zoos humains / Rodolphe Gahery -- Paul capellani: le corps a l'epreuve du cinema / Sebastien Dupont-Bloch -- Poils et pilosites dans le cinema des origines / Jean-Claude Seguin -- Le corps du spectateur en mouvement: effets reels et virtuels des spectacles tridimensionnels / Martin Barnier. 
588 0 |a Online resource; title from digital title page (viewed on November 26, 2018). 
546 |a English and French. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Human body in motion pictures. 
650 0 |a Motion pictures  |x History  |y 20th century. 
650 6 |a Corps humain au cinéma. 
650 6 |a Cinéma  |x Histoire  |y 20e siècle. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Human body in motion pictures  |2 fast 
650 7 |a Motion pictures  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a History  |2 fast 
700 1 |a Dahlquist, Marina,  |e editor. 
700 1 |a Galili, Doron,  |e editor. 
700 1 |a Olsson, Jan,  |d 1952-  |e editor. 
700 1 |a Robert, Valentine,  |d 1982-  |e editor. 
776 0 8 |i Print version:  |t Corporeality in early cinema.  |d Bloomington, Indiana : Indiana University Press, [2018]  |z 9780253033659  |w (DLC) 2018030896 
830 0 |a Early cinema in review. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv6zd9s1  |z Texto completo 
938 |a EBSCOhost  |b EBSC  |n 1915965 
938 |a Project MUSE  |b MUSE  |n muse71614 
938 |a YBP Library Services  |b YANK  |n 15041758 
994 |a 92  |b IZTAP