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Unwhite : Appalachia, race, and film /
Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as "pure white stock" and as deeply impoverished and backward. Meredith McCarroll's Unwhite analyzes th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Athens, Georgia :
The University of Georgia Press,
[2018]
|
| Colección: | South on screen.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a McCarroll, Meredith, |e author. | |
| 245 | 1 | 0 | |a Unwhite : |b Appalachia, race, and film / |c Meredith McCarroll. |
| 264 | 1 | |a Athens, Georgia : |b The University of Georgia Press, |c [2018] | |
| 300 | |a 1 online resource (1 volume) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a South on screen series | |
| 505 | 0 | |a Introduction -- Hillbilly as American Indian -- Appalachian woman as mammy -- Mountain migrant as Mexican migrant -- Appalachia and documentary -- Appendix: Appalachian types in cinema. | |
| 520 | |a Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as "pure white stock" and as deeply impoverished and backward. Meredith McCarroll's Unwhite analyzes the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American South. Not only do we know what "rednecks" and "white trash" are, McCarroll argues, we rely on the continued use of such categories in fashioning our broader sense of self and other. Further, we continue to depend upon the existence of the region of Appalachia as a cultural construct. As a consequence, Appalachia has long been represented in the collective cultural history as the lowest, the poorest, the most ignorant, and the most laughable community. McCarroll complicates this understanding by asserting that white privilege remains intact while Appalachia is othered through reliance on recognizable nonwhite cinematic stereotypes. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Other (Philosophy) in motion pictures. | |
| 650 | 0 | |a Race relations in motion pictures. | |
| 650 | 0 | |a White people in motion pictures. | |
| 650 | 0 | |a Appalachians (People) in motion pictures. | |
| 651 | 0 | |a Southern States |x In motion pictures. | |
| 650 | 6 | |a Altérité au cinéma. | |
| 650 | 6 | |a Relations raciales au cinéma. | |
| 650 | 6 | |a Montagnards (Sud des États-Unis) au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Appalachians (People) in motion pictures. |2 fast |0 (OCoLC)fst00811521 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Other (Philosophy) in motion pictures. |2 fast |0 (OCoLC)fst01904150 | |
| 650 | 7 | |a Race relations in motion pictures. |2 fast |0 (OCoLC)fst01086566 | |
| 650 | 7 | |a White people in motion pictures. |2 fast |0 (OCoLC)fst01174834 | |
| 651 | 7 | |a Southern States. |2 fast |0 (OCoLC)fst01244550 | |
| 776 | 0 | 8 | |i Print version: |a McCarroll, Meredith. |t Unwhite. |d Athens : The University of Georgia Press, [2018] |w (DLC) 2018003948 |
| 830 | 0 | |a South on screen. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt22nmbtj |z Texto completo |
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