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|a 1237546327
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|z (OCoLC)1237546327
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|a 22573/ctv137k2q2
|b JSTOR
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|k 2018
|2 edtf
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|b H35 2018eb
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|a 791.4372
|2 23
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|a UAMI
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|a Hallam, Lindsay Anne,
|d 1979-
|e author.
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|a Twin peaks :
|b fire walk with me /
|c Lindsay Hallam.
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|a Fire walk with me
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|a Leighton Buzzard :
|b Auteur,
|c 2018.
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|c Ã2018
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|a 1 online resource (128 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a still image
|b sti
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Devil's advocates
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|a Includes bibliographical references (pages 123-128).
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|a Introduction -- Filled with secrets: Fire Walk with Me as a Twin Peaks film -- Cherry pie topped in barbed wire: Fire Walk with Me as a horror movie -- 'Since I was twelve': Fire Walk with Me as a trauma film -- We live inside a dream: Fire Walk with Me as a David Lynch film -- What follows: the influence of Fire Walk with Me -- The entire mystery: paratexts and the ever-expanding Twin Peaks universe -- Conclusion: Laura is the one.
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|a "When David Lynch's film Twin Peaks: Fire Walk with Me, a prequel to the television series Twin Peaks, premiered at the 1992 Cannes Film Festival it was met with met with outright hostility. Subsequent reviews from critics were almost unanimously negative, and many fans of the show felt betrayed, as their beloved town was suddenly revealed as a personal hell. Yet in the years since the film's release, there has begun to be a gradual wave of reappraisal and appreciation, one that accelerated with the broadcast of Twin Peaks: The Return in 2017. What has been central to this reevaluation is the realization that what Lynch had created was not a parody of soap opera and detective television but a horror movie. In this Devil's Advocate, Lindsay Hallam argues that the horror genre aids Lynch's purpose in presenting the protagonist Laura Palmer's subjective experience leading to her death as the incorporation of horror tropes actually leads to a more accurate representation of a victim's suffering and confusion. She goes on to explore how the film was an attempt by Lynch to take back ownership of the material and to examine the initial reaction and subsequent reevaluation of the film, as well as the paratexts that link to it and the influence that Fire Walk with Me now has on contemporary film and across popular culture. Hallam's analysis of Peaks is spectacularly insightful, particularly her investigation of the film as a study of deep trauma."--
|c Provided by publisher.
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|a Lindsay Hallam is senior lecturer in film at the University of East London.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Twin Peaks, fire walk with me (Motion picture)
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|i Print version:
|a Hallam, Lindsay Anne, 1979-
|t Twin Peaks.
|d Leighton Buzzard : Auteur, 2018
|z 1911325647
|w (OCoLC)1005112833
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830 |
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|a Devil's advocates.
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