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|a UAMI
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|a Stories :
|b screen narrative in the digital era /
|c edited by Ian Christie and Annie van den Oever.
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|a Amsterdam :
|b Amsterdam University Press,
|c [2018]
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|c ©2018
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|a 1 online resource (208 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
|b cr
|2 rdacarrier
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|a The key debates ;
|v 7
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|a Includes bibliographical references and indexes.
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0 |
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|g 1.
|t Screen narrative in the digital era /
|r Ian Christie and Annie van den Oever --
|g Part I - Theory in contemporary contexts: reassessing key questions.
|g 2.
|t Stories and storytelling in the era of graphic narrative /
|r Jan Baetens --
|g 3.
|t Rediscovering iconographic storytelling /
|r Vincent Amiel --
|g 4.
|t Wallowing in dissonance: the attractiveness of impossible puzzle films /
|r Miklós Kiss and Steven Willemsen --
|g 5.
|t "Storification": or, What do we want psychology and physiology to tell us about screen stories? /
|r Ian Christie --
|g 6.
|t Transmedia storytelling: new practices and audiences /
|r Melanie Schiller --
|g Part II - History and analyses.
|g 7.
|t The endless endings of Michelangelo Antonioni's films /
|r José Moure --
|g 8.
|t The film that dreams: about David Lynch's Twin Peaks season 3 /
|r Dominique Chateau --
|g 9.
|t Spoilers, twists, and dragons: popular narrative after Game of Thrones /
|r Sandra Laugier --
|g Part III - Discussions.
|g 10.
|t Storytelling and mainstream television today - a dialogue /
|r John Ellis and Annie van den Oever --
|g 11.
|t The single shot, narration, and creativity in the space of everyday communication /
|r Roger Odin --
|g Part IV - Practicalities.
|g 12.
|t Rewriting Proust: working with Chantal Akerman on La Captive - a dialogue /
|r Eric de Kuyper and Annie van den Oever --
|g 13.
|t Introduction to Dickensian: an intertextual universe? /
|r Ian Christie --
|g 14.
|t The lives of the characters in Dickensian /
|r Luke McKernan --
|g 15.
|t Music structuring narrative - a dialogue /
|r Robert ziegler and Ian Christie.
|
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|a Stories are central drivers of media today - not only do they propel plot-driven entertainment media, such as television, cinema, theatre, but also social media. Telling and having a story is widely deemed essential, both in the large and widely visible world of commerce and in the everyday social lives of individuals. Does this dynamic represent an intensification of what has always been part of culture and civilization, or has it reached a new universality?
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|a Online resource; title from PDF title page (EBSCO, viewed September 18, 2018).
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|a Open Access
|5 EbpS
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Open Access
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650 |
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|a Storytelling in mass media.
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650 |
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|a Art de conter dans les médias.
|
650 |
|
7 |
|a Film theory and criticism.
|2 bicssc
|
650 |
|
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
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|a PSYCHOLOGY
|x Social Psychology.
|2 bisacsh
|
650 |
|
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|a ART
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Storytelling in mass media.
|2 fast
|0 (OCoLC)fst01200993
|
655 |
|
4 |
|a Electronic books.
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700 |
1 |
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|a Christie, Ian,
|d 1945-
|e editor.
|
700 |
1 |
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|a Oever, Annie van den,
|d 1957-
|e editor.
|
776 |
0 |
8 |
|i Print version:
|t Stories.
|d Amsterdam : Amsterdam University Press, [2018]
|w (DLC) 2018357152
|
830 |
|
0 |
|a Key debates ;
|v 7.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv5rf6vf
|z Texto completo
|
938 |
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|a Amsterdam University Press
|b AUPA
|n 9789048537082
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|a EBSCOhost
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