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Movement and performance in Berlin School cinema /

"Through a study of the contemporary German film movement, the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues tha...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Landry, Olivia (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2018]
Colección:New directions in national cinemas.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Landry, Olivia,  |e author. 
245 1 0 |a Movement and performance in Berlin School cinema /  |c Olivia Landry. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [2018] 
300 |a 1 online resource (ix, 215 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a New directions in national cinemas 
520 |a "Through a study of the contemporary German film movement, the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect--all of which are viewed as critical components of live performance--can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "slow cinema," Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers--such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler--invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema"--  |c Provided by publisher. 
504 |a Includes bibliographical references and index. 
505 0 |a Media, death, and liveness -- Theatricality bleeds, the presence of dance -- Between movement and affect : the body's shared point of sense -- Accelerating performance : from car travel to car crash -- Nina Hoss's performance of the fugitive body; or, what to do with movement. 
588 0 |a Online resource; title from digital title page (viewed on April 04, 2019). 
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650 0 |a Motion pictures  |z Germany  |z Berlin  |x History. 
650 0 |a Movement (Acting)  |x History. 
650 6 |a Cinéma  |z Allemagne  |z Berlin  |x Histoire. 
650 6 |a Mouvement (Art dramatique)  |x Histoire. 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Movement (Acting)  |2 fast  |0 (OCoLC)fst01028489 
651 7 |a Germany  |z Berlin.  |2 fast  |0 (OCoLC)fst01204829 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Landry, Olivia.  |t Movement and performance in Berlin School cinema.  |d Bloomington, Indiana : Indiana University Press, [2019]  |z 9780253038029  |w (DLC) 2018019386 
830 0 |a New directions in national cinemas. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvbnm23p  |z Texto completo 
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