Cargando…
Virtual works -- actual things : essays in music ontology /
What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? 'V...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
[2018]
|
| Colección: | Orpheus Institute series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1049981760 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 180827s2018 be ob 001 0 eng d | ||
| 040 | |a JSTOR |b eng |e rda |e pn |c JSTOR |d ICN |d MERER |d SOI |d OCLCF |d EZ9 |d ERL |d LOA |d U3W |d LVT |d VT2 |d EQF |d OCLCQ |d YDX |d OCLCO |d OCLCQ |d OCLCO | ||
| 015 | |a GBB894230 |2 bnb | ||
| 016 | 7 | |a 018876224 |2 Uk | |
| 019 | |a 1111251923 |a 1115077365 |a 1122610682 |a 1224942042 |a 1235846118 | ||
| 020 | |a 9789461662521 |q (electronic bk.) | ||
| 020 | |a 9461662521 |q (electronic bk.) | ||
| 020 | |z 9789462701403 | ||
| 020 | |z 9462701407 | ||
| 035 | |a (OCoLC)1049981760 |z (OCoLC)1111251923 |z (OCoLC)1115077365 |z (OCoLC)1122610682 |z (OCoLC)1224942042 |z (OCoLC)1235846118 | ||
| 037 | |a 22573/ctv4rkp5c |b JSTOR | ||
| 050 | 4 | |a ML3800 | |
| 072 | 7 | |a MUS |x 022000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 054000 |2 bisacsh | |
| 082 | 0 | 4 | |a 780.1 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Virtual works -- actual things : |b essays in music ontology / |c edited by Paulo de Assis. |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c [2018] | |
| 300 | |a 1 online resource (208 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Orpheus Institute series | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? 'Virtual Works -- Actual Things' addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Introduction |r Paulo de Assis -- |t Virtual works -- actual things |r Paulo de Assis -- |t Locating the performable musical work in practice: a non-platonist interpretation of the "classical paradigm" / |r David Davies -- |t Towards a general theory of musical works and musical listening / |r Gunnar Hindrichs -- |t The work of the performer / |r John Rink -- |t Music as play: a dialogue / |r Andreas Dorschel -- |t What anyway is a "music discomposed"? reading Cavell through the dark glasses of Adorno / |r Lydia Goehr -- |t Response 1, What Is a music dis-discomposed? / |r Kathy Kiloh -- |t Response 2, Krenek, Cage, and Stockhausen in Cavell's "Music discomposed" / |r Jake McNulty -- |t Response 3, Stanley Cavell's "Music discomposed" at 52 / |r Paulo de Assis. |
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 7 | |a Theory of music & musicology. |2 bicssc | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x General. |2 bisacsh | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 700 | 1 | |a Assis, Paulo de, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Virtual works? actual things. Essays in music ontology. |d Leuven : Leuven UP 2018 |z 9789462701403 |w (OCoLC)1023383797 |
| 830 | 0 | |a Orpheus Institute series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv4rfrd0 |z Texto completo |
| 938 | |a YBP Library Services |b YANK |n 302848880 | ||
| 994 | |a 92 |b IZTAP | ||