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Re-assessing the global turn in Medieval art history /
The growth in debates concerning the concept of 'the global' in medieval art history, and the more complex picture of Eurasian and African societies and material culture that has emerged in the past two decades has highlighted challenges to traditional art historical narratives, specializa...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leeds [England] :
ARC Humanities Press,
[2018]
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| Colección: | Medieval globe ;
v. 3. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- CONTENTS
- LIST OF ILLUSTRATIONS
- Editor's Introduction: A World within Worlds? Reassessing the Global Turn in Medieval Art History
- A Camel's Pace: A Cautionary Global
- The Fatimid Holy City: Rebuilding Jerusalem in the Eleventh Century
- Worldliness in Byzantium and Beyond: Reassessing the Visual Networks of Barlaam and Ioasaph
- Exchange of Sacrifices: West Africa in the Medieval World of Goods
- The Beryozovo Cup: A Byzantine Object at the Crossroads of Twelfth- Century Eurasia
- Mobile Meanings: A Global Approach to a Dagger from Greater Syria
- Global Medieval at the "End of the Silk Road," circa 756 CE: The Shōsō- in Collection in Japan
- Response: Medievalists and Early Modernists
- A World Divided?
- Index