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|a UAMI
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|a Joseph, Ralina L.
|q (Ralina Landwehr),
|d 1974-
|e author.
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|a Postracial resistance :
|b Black women, media, and the uses of strategic ambiguity /
|c Ralina L. Joseph.
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|a New York :
|b New York University Press,
|c [2018]
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|a 1 online resource (xi, 253 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Critical Cultural Communication Ser.
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|a Includes bibliographical references and index.
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|a Introduction -- Of course I'm proud of my country! : Michelle Obama's post-racial wink -- Because often it's both : racism, sexism, and Oprah's handbags -- I just wanted a world that looked like the one I know : the strategically ambiguous respectability of a Black woman showrunner -- No, but I'm still black : women of color community, hate-watching, and racialized resistance -- They got rid of the naps, that's all they did : women of color critiques of respectability politics, strategic ambiguity, and race hazing -- Do not run away from your blackness : Black women television workers and the flouting of strategic ambiguity -- Coda : have a seat at my table -- Acknowledgments -- Notes -- Works cited -- Index -- About the author.
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|a Print version record.
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|a "Postracial Resistance: Black Women and the Uses of Strategic Ambiguity looks at how, in the first Black First Lady era, African American women celebrities, cultural producers, and audiences subversively used the tools of postracial discourse--the media-propagated notion that race and race-based discrimination are over, and that race and racism no longer affect the everyday lives of both Whites and people of color--in order to resist its very tenets. Black women's resistance to disenfranchisement has a long history in the U.S., including struggles for emancipation, suffrage, and de jure and de facto civil rights. In the Michelle Obama era, some minoritized subjects used a different, more individual form of resistance by negotiating through strategic ambiguity. Joseph listens to and watches Black women in three different places in media culture: she uses textual analysis to read the strategies of the Black women celebrities themselves; she uses production analysis to harvest insights from interviews with Black women writers, producers, and studio lawyers; and she uses audience ethnography to engage Black women viewers negotiating through the limited representations available to them. The book arcs from critiquing individual successes that strategic ambiguity enables and the limitations it creates for Black women celebrities, to documenting the way performing strategic ambiguity can (perhaps) unintentionally devolve into playing into racism from the perspective of Black women television professionals and younger viewers."--Website
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|a African Americans and mass media.
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|a Mass media and women.
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|a African American women
|x Social conditions.
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|a Noirs américains et médias.
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|a Médias et femmes.
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|a Noires américaines
|x Conditions sociales.
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|a SOCIAL SCIENCE
|x Discrimination & Race Relations.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Minority Studies.
|2 bisacsh
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|a African American women
|x Social conditions
|2 fast
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|a African Americans and mass media
|2 fast
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|a Mass media and women
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|a Soziale Situation
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|a Schwarze Frau
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|a Massenmedien
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|a USA
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|a Noirs américains
|x Dans les médias.
|2 ram
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|a Médias et femmes.
|2 ram
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|a Noires américaines
|x Conditions sociales.
|2 ram
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|i Print version:
|a Joseph, Ralina L. (Ralina Landwehr), 1974-
|t Postracial resistance.
|d New York : New York University Press, [2018]
|z 9781479862825
|w (DLC) 2017060990
|w (OCoLC)1027774068
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830 |
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0 |
|a Critical cultural communication.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv12pnrm2
|z Texto completo
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938 |
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