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Art after money, money after art : creative strategies against financialization /
"We imagine that art and money are old enemies, but this myth actually reproduces a violent system of global capitalism and prevents us from imagining and building alternatives. From the chaos unleashed by the 'imaginary' money in financial markets to the new forms of exploitation ena...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London : Toronto : Between the Lines,
Pluto Press ;
2018.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Haiven, Max, |d 1981- |e author. | |
| 245 | 1 | 0 | |a Art after money, money after art : |b creative strategies against financialization / |c Max Haiven. |
| 264 | 1 | |a London : |b Pluto Press ; |a Toronto : |a Between the Lines, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xiv, 278 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 228-268) and indexes. | ||
| 505 | 0 | |a Introduction -- 3.5 artistic strategies to envision money's mediation -- 6 artists x 2 crises x 3 orders of reproduction -- 0 participation : Benign pessimism, tactical parasitics and the encrypted common -- ∞ encryption : Art's crypt, securitization in numbers, derivative socialities -- Conclusion : Toward abolitionist horizons. | |
| 520 | |a "We imagine that art and money are old enemies, but this myth actually reproduces a violent system of global capitalism and prevents us from imagining and building alternatives. From the chaos unleashed by the 'imaginary' money in financial markets to the new forms of exploitation enabled by the 'creative economy' to the way art has become the plaything of the world's plutocrats, our era of financialization demands that we question our romantic assumptions about art and money. By exploring the way contemporary artists engage with cash, debt, and credit, Haiven identifies and assesses a range of creative strategies for mocking, sabotaging, exiting, decrypting, and hacking capitalism today. Written for artists, activists, and scholars, this book makes an urgent call to unleash the power of the radical imagination by any media necessary."-- |c Provided by publisher. | ||
| 545 | 0 | |a Max Haiven is Research Chair in Culture, Media and Social Justice at Lakehead University, Canada. His books include Art after Money, Money after Art (Pluto, 2018), Crises of Imagination, Crises of Power (Zed Books, 2004), Cultures of Financialization (Palgrave MacMillan, 2014) and the Radical Imagination (Zed Books, 2014). | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Art |x Finance. | |
| 650 | 0 | |a Art |x Economic aspects. | |
| 650 | 0 | |a Money in art. | |
| 650 | 6 | |a Art |x Aspect économique. | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Industrial Management. |2 bisacsh | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Management. |2 bisacsh | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Management Science. |2 bisacsh | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Organizational Behavior. |2 bisacsh | |
| 650 | 7 | |a Art |x Economic aspects |2 fast | |
| 650 | 7 | |a Art |x Finance |2 fast | |
| 650 | 7 | |a Money in art |2 fast | |
| 650 | 7 | |a Engagierte Kunst |2 gnd | |
| 650 | 7 | |a Geld |2 gnd | |
| 650 | 7 | |a Geld |g Motiv |2 gnd | |
| 650 | 7 | |a Kapitalismus |2 gnd | |
| 650 | 7 | |a Kommerzialisierung |2 gnd | |
| 650 | 7 | |a Kritik |2 gnd | |
| 650 | 7 | |a Kunst |2 gnd | |
| 776 | 0 | 8 | |i Print version: |a Haiven, Max, 1981- |t Art after money, money after art. |d London : Pluto Press ; Toronto : Between the Lines, 2018 |z 0745338259 |w (OCoLC)1014096099 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv4ncp3s |z Texto completo |
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