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I'm not like everybody else : biopolitics, neoliberalism, and American popular music /
Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop's music in luxury cruise advertisements, the author argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central org...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lincoln :
University of Nebraska Press,
2018.
|
| Colección: | Provocations (Lincoln, Neb.)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Nealon, Jeffrey T. |q (Jeffrey Thomas), |e author. | |
| 245 | 1 | 0 | |a I'm not like everybody else : |b biopolitics, neoliberalism, and American popular music / |c Jeffrey T. Nealon. |
| 264 | 1 | |a Lincoln : |b University of Nebraska Press, |c 2018. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Provocations | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Series Page; Title Page; Copyright Page; Contents; Acknowledgments; Provocations; Introduction; 1. Biopower Blues; 2. Steal Your Face; 3. Not for Sale; 4. A Genealogy of Popular Music and Authenticity; 5. Good Rockin' Tonite; 6. Musical Community, from In- to Excorporation; 7. Capitalism, from Meaning to Usage; 8. In the Mood; 9. Will There Be Music?; 10. Bourdieu, Bourdon't; 11. Everywhere, All the Time; Notes; About Jeffrey T. Nealon; Series List. | |
| 520 | |a Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop's music in luxury cruise advertisements, the author argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else. Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant "disciplinary" mode of power to a "biopolitical" mode, the author argues that the modes of musical "resistance" need to be completely rethought and that a commitment to musical authenticity or meaning - saying "no" to the mainstream - is no longer primarily where we might look for music to function against the grain | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
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| 650 | 0 | |a Popular music |x Political aspects |z United States. | |
| 650 | 0 | |a Neoliberalism |z United States. | |
| 650 | 0 | |a Biopolitics |z United States. | |
| 650 | 6 | |a Musique populaire |x Aspect politique |z États-Unis. | |
| 650 | 6 | |a Néo-libéralisme |z États-Unis. | |
| 650 | 6 | |a Biopolitique |z États-Unis. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Biopolitics. |2 fast |0 (OCoLC)fst00832668 | |
| 650 | 7 | |a Neoliberalism. |2 fast |0 (OCoLC)fst01737382 | |
| 650 | 7 | |a Popular music |x Political aspects. |2 fast |0 (OCoLC)fst01071452 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 776 | 0 | 8 | |i Print version: |a Nealon, Jeffrey T. (Jeffrey Thomas). |t I'm not like everybody else. |d Lincoln : University of Nebraska Press, 2018 |z 9781496208651 |w (DLC) 2017056179 |w (OCoLC)1015269846 |
| 830 | 0 | |a Provocations (Lincoln, Neb.) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv6jm9c5 |z Texto completo |
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