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|a 10.1525/9780520971196
|2 doi
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|b W293 2019
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|a 791.43
|2 23
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|a UAMI
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100 |
1 |
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|a Ward, Meredith C.,
|d 1981-
|e author.
|
245 |
1 |
0 |
|a Static in the system :
|b noise and the soundscape of American cinema culture /
|c Meredith C. Ward.
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1 |
|a Oakland, California :
|b University of California Press,
|c [2019]
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264 |
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|c ©2019
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300 |
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|a 1 online resource (x, 238 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a California studies in music, sound, and media ;
|v 1
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|a "Static in the System analyzes the relationship between American aural cultural history and cinema. Focusing specifically on the field of cinema culture--the envelope that surrounds and conditions our experience of cinema as an art form--Meredith C. Ward discusses how the aural culture of a given time period has enabled certain types of listening cultures to form. Analyzing which forms of listening have been dominant in various periods, she also discusses how noise--that commonly used but little-understood term--helps us to make sense of the ongoing conflicts underlying these moments, and where we have, historically, set the limits of 'desirable' and 'undesirable' sound"--Provided by publisher.
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|a Includes bibliographical references and index.
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|a Introduction : noise and the concept of the cinema soundscape -- Songs of the sonic body : noise and the sounds of early motion picture audiences -- The film industry lays the golden egg : noise, electro-acoustics, and the academy's adjustment to film sound -- "Machines for listening" : cinema auditoriums as vehicles for aural absorption -- Cinema theaters as antiquated as "Edison and his wax cylinders" : mobile technologies and the negotiation of public noise -- Conclusion : noises we will be hearing soon.
|
588 |
0 |
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|a Online resource; title from digital title page (viewed on November 05, 2019).
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546 |
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|a In English.
|
590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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650 |
|
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|a Motion picture theaters
|z United States.
|
650 |
|
0 |
|a Noise.
|
650 |
|
0 |
|a Motion picture audiences
|z United States.
|
650 |
|
2 |
|a Noise
|
650 |
|
6 |
|a Cinéma
|x Publics
|z États-Unis.
|
650 |
|
6 |
|a Bruit.
|
650 |
|
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|a noise.
|2 aat
|
650 |
|
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
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|
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|a MUSIC
|x History & Criticism.
|2 bisacsh
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|
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|a Motion picture audiences
|2 fast
|
650 |
|
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|a Motion picture theaters
|2 fast
|
650 |
|
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|a Noise
|2 fast
|
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|
7 |
|a United States
|2 fast
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653 |
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|a america.
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|a american culture.
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|a architectural acoustics.
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|a aural cultural history.
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|a avoidance of noise.
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|a built environment.
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|a cinema theatres.
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|a cinema.
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|a class.
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|a electro acoustics.
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|a film going culture.
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|a film sound.
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|a gender.
|
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|a history of noise.
|
653 |
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|a industry.
|
653 |
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|a listening cultures.
|
653 |
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|a mobile listening.
|
653 |
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|a motion picture history.
|
653 |
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|a movies.
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653 |
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|a noise manifestations.
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|a sexuality.
|
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|a social power.
|
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|a sonic culture.
|
653 |
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|a sound theory.
|
653 |
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|a soundscape.
|
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|a theories of power.
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|a urban environment.
|
776 |
0 |
8 |
|i Print version:
|a Ward, Meredith C., 1981-
|t Static in the system.
|d Oakland, California : University of California Press, [2019]
|z 9780520299474
|w (DLC) 2018033917
|w (OCoLC)1048028191
|
830 |
|
0 |
|a California studies in music, sound, and media ;
|v 1.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvd1c82v
|z Texto completo
|
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