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Time, existential presence, and the cinematic image : ethics and emergence to being in film /
In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2018]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Girgus, Sam B., |d 1941- |e author. | |
| 245 | 1 | 0 | |a Time, existential presence, and the cinematic image : |b ethics and emergence to being in film / |c Sam B. Girgus. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (vii, 191 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Delayed cinema and "this space-time of freedom": De Sica's Bicycle Thieves (1948) -- La Demora (2012) -- Existence and ethics in the Dardenne Brothers' Two Days, One Night (2015) -- El Viaje: Tommy Lee Jones and the violent times of the mission to Mexico -- The American way: time, death, and resurrection in Iñárritu's Western masterpiece. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Motion pictures |x History. | |
| 650 | 0 | |a Motion pictures |x Moral and ethical aspects. | |
| 650 | 6 | |a Cinéma |x Histoire. | |
| 650 | 6 | |a Cinéma |x Aspect moral. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z Middle East |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Motion pictures |x Moral and ethical aspects. |2 fast |0 (OCoLC)fst01027344 | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a GIRGUS, SAM B. |t TIME, EXISTENTIAL PRESENCE AND THE CINEMATIC IMAGE |z 9781474436236 |w (OCoLC)1030600470 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctv7n092v |z Texto completo |
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