|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1048403194 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
180813s2018 pau o 000 p eng d |
040 |
|
|
|a N$T
|b eng
|e rda
|e pn
|c N$T
|d EBLCP
|d YDX
|d P@U
|d OCLCO
|d YDX
|d OCLCO
|d OCLCF
|d JSTOR
|d N$T
|d MERUC
|d TEFOD
|d OCLCQ
|d OTZ
|d OCLCO
|d OCL
|d UAB
|d AU@
|d OCL
|d OCLCO
|d OCLCQ
|d UKAHL
|d OCLCQ
|d OCLCO
|d OCLCQ
|
020 |
|
|
|a 9780822986171
|q (electronic bk.)
|
020 |
|
|
|a 0822986175
|q (electronic bk.)
|
020 |
|
|
|z 9780822965602
|
020 |
|
|
|z 0822965607
|
035 |
|
|
|a (OCoLC)1048403194
|
037 |
|
|
|a 7207B05F-3208-485F-8C16-956FD3A89CB1
|b OverDrive, Inc.
|n http://www.overdrive.com
|
050 |
|
4 |
|a PS3618.A6253
|b A6 2018
|
072 |
|
7 |
|a FIC
|x 000000
|2 bisacsh
|
082 |
0 |
4 |
|a 811/.6
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Randall, Julian,
|e author.
|
240 |
1 |
0 |
|a Poems.
|k Selections
|
245 |
1 |
0 |
|a Refuse /
|c Julian Randall.
|
264 |
|
1 |
|a Pittsburgh, Pa. :
|b University of Pittsburgh Press,
|c [2018]
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Pitt poetry series
|
588 |
0 |
|
|a Online resource; title from PDF title page (EBSCO, viewed September 25, 2018).
|
586 |
|
|
|a Cave Canem Poetry Prize, 2017
|
505 |
0 |
|
|a Intro; Contents; Icarus; A Thousand Cardinals; Biracial Ghazal: Why Everything Ends in Blood; This Land Is Where We Buried Everything That Came Before You: African American History and Concepts of Ownership in Early Elementary Education; Friday Night Lights #1; In A Rare Moment of Nostalgia My Father Reflects on Obama's First Inauguration; Taxonomy Regarding My Mother; I Think Everybody Has a Year They Never Really Leave; Summer After; Elegy for the Winter after Taina Was Cancelled; Chicago*; Wasn't the Minotaur Buried Horns First: Vulnerability and Identity in the Mythic Body.
|
505 |
8 |
|
|a A Poem about Trees That Is Not Actually a Poem about TreesNearly 7 Years after the Fact a Boy Whose Nose I Nearly Broke Hits Me Up for Brunch; In the Netflix Trailer Obama Says ""I Don't"" Fit in Anywhere"" While Anthony Hamilton Pulls a Burning City Out of His Mouth; Obama Says ""Mutts Like Me"" in the Mirror Every Morning While I Get Ready for School; The Academy of Acceptable Loss; Pregame Prayer with Complete Citations; Coverage; You Got McDonald's Money?; Friday Night Lights #20; Friday Night Lights #51.
|
505 |
8 |
|
|a The Spook Who Sat by the Once Bombed City: Psychological Explorations of Ancestral Memory Through the Lens of Racial Battle TraumaThe Space Between Skins Is Called a Wound; Translation; On The Night I Consider Coming Out to My Parents; (Self) Inflicted; Frank Ocean Sighting #268: Frank Ocean Is Rumored to Speak of Rivers Which Is Likely a Lie (Disc 1); Narcissus; The Author Is Often Mistaken for Obama's Long Lost Son; Insomniac Soliloquy; My Father Watches Ferguson Vol. 1; Portrait of My Father as Sisyphus; My Father Watches Ferguson Vol. 2; Palinopsia; Police Dream #607; Palinopsia.
|
505 |
8 |
|
|a Elegy for the Summer after Django Unchained Came Out on DVDPalinopsia; Regrets; Ghazal for the Suicidal Thought; Palinopsia; The Search for Frank Ocean or a Brief History of Disappearing; Variation on a Theme of Genetics; Leslie Odom Jr. Sings Obama's Anger on NPR; Mercy, Mercy, Him; Tanka for the 4th of July; Zealots of Stockholm or Elegy for the Still Alive; Obama Wants to Be Clear about His Legacy; Obama Speaks of Rivers but We Have Always Been on Different Shores; Negrotopia #3; Sad Nigga Manifesto; Acknowledgments.
|
520 |
|
|
|a Set against the backdrop of the Obama presidency, Julian Randall's Refuse documents a young biracial man's journey through the mythos of Blackness, Latinidad, family, sexuality and a hostile American landscape. Mapping the relationship between father and son caught in a lineage of grief and inherited Black trauma, Randall conjures reflections from mythical figures such as Icarus, Narcissus and the absent Frank Ocean. Not merely a story of the wound but the salve, Refuse is a poetry debut that accepts that every song must end before walking confidently into the next music.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a American poetry
|y 21st century.
|
650 |
|
7 |
|a FICTION
|x General.
|2 bisacsh
|
650 |
|
7 |
|a American poetry.
|2 fast
|0 (OCoLC)fst00807348
|
648 |
|
7 |
|a 2000-2099
|2 fast
|
655 |
|
7 |
|a poetry.
|2 aat
|
655 |
|
7 |
|a Poetry.
|2 fast
|0 (OCoLC)fst01423828
|
655 |
|
7 |
|a Poetry.
|2 lcgft
|
655 |
|
7 |
|a Poésie.
|2 rvmgf
|
776 |
0 |
8 |
|i Print version:
|z 0822965607
|z 9780822965602
|
830 |
|
0 |
|a Pitt poetry series.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv4g1r06
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH36651333
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL5491580
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1868026
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse68922
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 15641359
|
994 |
|
|
|a 92
|b IZTAP
|