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Fleshing out surfaces : skin in French art and medicine, 1650-1850 /

'Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, i...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fend, Mechthild (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2017.
Colección:Rethinking art's histories.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Fend, Mechthild,  |e author. 
245 1 0 |a Fleshing out surfaces :  |b skin in French art and medicine, 1650-1850 /  |c Mechthild Fend. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2017. 
300 |a 1 online resource (xvi, 314 pages, 8 unnumbered pages of plates) :  |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Rethinking art's histories 
504 |a Includes bibliographical references (pages 281-303) and index. 
505 0 |a The surface's substance -- Nervous canvas -- Sensitive limit -- Skin colour -- Seeing through the skin -- Hermetic borderline -- Epilogue : segregagtion. 
520 8 |a 'Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive. 
588 0 |a Description based on print version record. 
506 1 |a Legal Deposit;  |c Only available on premises controlled by the deposit library and to one user at any one time;  |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK).  |5 WlAbNL 
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590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Arts, French  |z France  |y 17th century. 
650 0 |a Skin in art. 
650 0 |a Human skin color in art. 
650 0 |a Skin  |x Psychological aspects. 
650 0 |a Art, French  |x Themes, motives. 
650 0 |a Anatomy, Artistic. 
650 2 |a Anatomy, Artistic 
650 6 |a Arts français  |z France  |y 17e siècle. 
650 6 |a Peau dans l'art. 
650 6 |a Couleur de la peau dans l'art. 
650 6 |a Art français  |x Thèmes, motifs. 
650 6 |a Anatomie artistique. 
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650 7 |a Skin in art  |2 fast 
650 7 |a Human skin color in art  |2 fast 
650 7 |a Art, French  |x Themes, motives  |2 fast 
650 7 |a Anatomy, Artistic  |2 fast 
651 7 |a France  |2 fast 
648 7 |a 1600-1699  |2 fast 
776 0 8 |i Print version:  |a Fend, Mechthild.  |t Fleshing out surfaces.  |d Manchester : Manchester University Press, 2017  |z 9780719087967  |z 0719087961 
830 0 |a Rethinking art's histories. 
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