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170520t20172017enka ob 001 0 eng |
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|z (OCoLC)1241882260
|z (OCoLC)1258907209
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|z (OCoLC)1260708963
|z (OCoLC)1261719196
|z (OCoLC)1274796583
|z (OCoLC)1280257538
|z (OCoLC)1289522595
|z (OCoLC)1290099913
|z (OCoLC)1300573057
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|a 9781526104663
|b Ingram Content Group
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|a 22573/ctvn97dxh
|b JSTOR
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|a e-fr---
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|a NX549
|b .F46 2017
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|a ART
|x 015000
|2 bisacsh
|
072 |
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|a MED
|x 039000
|2 bisacsh
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|a ART
|x 015090
|2 bisacsh
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|a 709.944
|2 23
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|a UAMI
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100 |
1 |
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|a Fend, Mechthild,
|e author.
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245 |
1 |
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|a Fleshing out surfaces :
|b skin in French art and medicine, 1650-1850 /
|c Mechthild Fend.
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264 |
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1 |
|a Manchester :
|b Manchester University Press,
|c 2017.
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300 |
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|a 1 online resource (xvi, 314 pages, 8 unnumbered pages of plates) :
|b illustrations (some color)
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336 |
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|a text
|b txt
|2 rdacontent
|
337 |
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|a computer
|b c
|2 rdamedia
|
338 |
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|a online resource
|b cr
|2 rdacarrier
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490 |
1 |
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|a Rethinking art's histories
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504 |
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|a Includes bibliographical references (pages 281-303) and index.
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|a The surface's substance -- Nervous canvas -- Sensitive limit -- Skin colour -- Seeing through the skin -- Hermetic borderline -- Epilogue : segregagtion.
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8 |
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|a 'Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
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588 |
0 |
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|a Description based on print version record.
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506 |
1 |
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|a Legal Deposit;
|c Only available on premises controlled by the deposit library and to one user at any one time;
|e The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
|5 WlAbNL
|
540 |
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|a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
|5 WlAbNL
|
590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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0 |
|a Arts, French
|z France
|y 17th century.
|
650 |
|
0 |
|a Skin in art.
|
650 |
|
0 |
|a Human skin color in art.
|
650 |
|
0 |
|a Skin
|x Psychological aspects.
|
650 |
|
0 |
|a Art, French
|x Themes, motives.
|
650 |
|
0 |
|a Anatomy, Artistic.
|
650 |
|
2 |
|a Anatomy, Artistic
|
650 |
|
6 |
|a Arts français
|z France
|y 17e siècle.
|
650 |
|
6 |
|a Peau dans l'art.
|
650 |
|
6 |
|a Couleur de la peau dans l'art.
|
650 |
|
6 |
|a Art français
|x Thèmes, motifs.
|
650 |
|
6 |
|a Anatomie artistique.
|
650 |
|
7 |
|a ART / History / General
|2 bisacsh
|
650 |
|
7 |
|a Arts, French
|2 fast
|
650 |
|
7 |
|a Skin
|x Psychological aspects
|2 fast
|
650 |
|
7 |
|a Skin in art
|2 fast
|
650 |
|
7 |
|a Human skin color in art
|2 fast
|
650 |
|
7 |
|a Art, French
|x Themes, motives
|2 fast
|
650 |
|
7 |
|a Anatomy, Artistic
|2 fast
|
651 |
|
7 |
|a France
|2 fast
|
648 |
|
7 |
|a 1600-1699
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Fend, Mechthild.
|t Fleshing out surfaces.
|d Manchester : Manchester University Press, 2017
|z 9780719087967
|z 0719087961
|
830 |
|
0 |
|a Rethinking art's histories.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvnb7m8d
|z Texto completo
|
938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH30648588
|
994 |
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|a 92
|b IZTAP
|