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|a 1175644276
|a 1298436292
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|q (electronic bk.)
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|z (OCoLC)1175644276
|z (OCoLC)1298436292
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|2 23
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|a UAMI
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|a Fox, Alistair,
|e author.
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1 |
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|a Coming-of-age cinema in New Zealand :
|b genre, gender and adaptation /
|c Alistair Fox.
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264 |
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|a Edinburgh :
|b Edinburgh University Press,
|c [2017]
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300 |
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|a 1 online resource (xii, 247 pages) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Traditions in world cinema
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|a Online resource; title from digital title page (viewed on November 19, 2020).
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|a The coming-of-age film as a genre: attributes, evolution, and functions -- New Zealand coming-of-age films: distinctive characteristics and thematic preoccupations -- The formation of a budding man alone: The God Boy (Murray Reece, 1976) -- An angry young man seeks to justify himself: Sleeping Dogs (Ian Donaldson, 1977) -- An immigrant filmmaker substitutes an alternative vision of adolescence: The Scarecrow Man (Sam Pillsbury, 1982) -- Art-cinema, cultural dislocation, and the entry into puberty: Vigil (Vincent Ward, 1984) -- A Māori girl watches, listens, and learns -- coming of age from an Indigenous viewpoint: Mauri (Merata Mita, 1988) -- Creativity as a haven: An Angel at My Table (Jane Campion, 1990) -- Desperation turned outwards: Heavenly Creatures (Peter Jackson, 1994) -- Confronting domestic violence and familial abuse: Once Were Warriors (Lee Tamahori, 1994) -- An adolescent girl experiments with sexuality: Rain (Christine Jeffs, 2001) -- Asserting feminist claims within Māori culture: Whale Rider (Nicki Caro, 2002) -- Family secrets and their destructive consequences: In My Father's Den (Brad McGann, 2004) -- A gay boy comes to terms with his sexuality: 50 Ways of Saying Fabulous (Stewart Main, 2005) -- Parental abandonment and the trauma of loss: Boy (Taika Waititi, 2010) -- A Māori boy contests the old patriarchal order: Mahana (Lee Tamahori, 2016) -- Delinquency and bicultural relations: Hunt for the Wilderpeople (Taika Waititi, 2016).
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|a This is the first book to investigate the coming-of-age genre as a significant phenomenon in New Zealand's national cinema, tracing its development and elucidating its role in cultural change.
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|a Includes bibliographical references (pages 235-239) and index.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Coming-of-age films
|z New Zealand
|x History and criticism.
|
650 |
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6 |
|a Films de passage à l'âge adulte
|z Nouvelle-Zélande
|x Histoire et critique.
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650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a PHILOSOPHY
|x Ethics & Moral Philosophy.
|2 bisacsh
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|a Coming-of-age films
|2 fast
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651 |
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|a New Zealand
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Fox, Alistair.
|t Coming-of-age cinema in New Zealand.
|d Edinburgh : Edinburgh University Press, [2017]
|z 9781474429443
|z 1474429440
|w (DLC) 2017295213
|
830 |
|
0 |
|a Traditions in world cinema.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1tqxtsn
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH32967043
|
938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH32967042
|
938 |
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|a EBSCOhost
|b EBSC
|n 1923827
|
994 |
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|a 92
|b IZTAP
|