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Coming-of-age cinema in New Zealand : genre, gender and adaptation /

This is the first book to investigate the coming-of-age genre as a significant phenomenon in New Zealand's national cinema, tracing its development and elucidating its role in cultural change.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fox, Alistair (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2017]
Colección:Traditions in world cinema.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Coming-of-age cinema in New Zealand :  |b genre, gender and adaptation /  |c Alistair Fox. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2017] 
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490 1 |a Traditions in world cinema 
588 0 |a Online resource; title from digital title page (viewed on November 19, 2020). 
505 0 |a The coming-of-age film as a genre: attributes, evolution, and functions -- New Zealand coming-of-age films: distinctive characteristics and thematic preoccupations -- The formation of a budding man alone: The God Boy (Murray Reece, 1976) -- An angry young man seeks to justify himself: Sleeping Dogs (Ian Donaldson, 1977) -- An immigrant filmmaker substitutes an alternative vision of adolescence: The Scarecrow Man (Sam Pillsbury, 1982) -- Art-cinema, cultural dislocation, and the entry into puberty: Vigil (Vincent Ward, 1984) -- A Māori girl watches, listens, and learns -- coming of age from an Indigenous viewpoint: Mauri (Merata Mita, 1988) -- Creativity as a haven: An Angel at My Table (Jane Campion, 1990) -- Desperation turned outwards: Heavenly Creatures (Peter Jackson, 1994) -- Confronting domestic violence and familial abuse: Once Were Warriors (Lee Tamahori, 1994) -- An adolescent girl experiments with sexuality: Rain (Christine Jeffs, 2001) -- Asserting feminist claims within Māori culture: Whale Rider (Nicki Caro, 2002) -- Family secrets and their destructive consequences: In My Father's Den (Brad McGann, 2004) -- A gay boy comes to terms with his sexuality: 50 Ways of Saying Fabulous (Stewart Main, 2005) -- Parental abandonment and the trauma of loss: Boy (Taika Waititi, 2010) -- A Māori boy contests the old patriarchal order: Mahana (Lee Tamahori, 2016) -- Delinquency and bicultural relations: Hunt for the Wilderpeople (Taika Waititi, 2016). 
520 |a This is the first book to investigate the coming-of-age genre as a significant phenomenon in New Zealand's national cinema, tracing its development and elucidating its role in cultural change. 
504 |a Includes bibliographical references (pages 235-239) and index. 
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