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|a 1048290491
|a 1048319263
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|z (OCoLC)1048290491
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|z (OCoLC)1049590913
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|a e-fr---
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|a PN1995.9.D6
|b U395 2018
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|2 23
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|a UAMI
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| 100 |
1 |
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|a Ungar, Steven,
|d 1945-
|e author.
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| 245 |
1 |
0 |
|a Critical mass :
|b social documentary in France from the silent era to the new wave /
|c Steven Ungar.
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| 264 |
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1 |
|a Minneapolis :
|b University of Minnesota Press,
|c [2018]
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| 300 |
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|a 1 online resource (xxii, 300 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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0 |
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|a Online resource; title from digital title page (viewed on August 23, 2018).
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|a Cover; Half Title; Title; Copyright; Contents; Introduction: Primal Scenes and Establishing Shots; 1 A First Wave: Documentary Paris in the Shadow of the Talkies; Somewhere Else: Georges Lacombe and La Zone (1928); The Ambiguities of Pure Cinema; Paris by Night: Les Halles centrales (Boris Kaufman, 1928); 2 Visualizing Paris Anew; Moving In, Moving Out: André Sauvage and Études sur Paris (1928); In Thrall to the Silent Image; Sunday in the Country: Marcel Carné and Nogent, Eldorado du dimanche (1929); Through the Window; Transition I: Networking, 1929-1930; 3 "All the World's Misery."
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|a The End of the WorldA Kick in the Pants to Open Our Eyes: À propos de Nice (Jean Vigo, 1930); Sweet Children of Misery: Aubervilliers (Eli Lotar, 1946); The Slaughterhouse Photos; Transition II: Popular Front-Vichy-Postwar; 4 Colonial Cinema and Its Discontents; Making Waves: Afrique 50 (René Vautier, 1950); "We Martians of Africa": Les Statues meurent aussi (Alain Resnais and Chris Marker, 1953); Whose Voice? Whose Film? Moi, un Noir (Jean Rouch, 1958); Transition III: The Group of Thirty; 5 Two Takes on Postwar Paris; Scenes in a Library: Toute la mémoire du monde (Alain Resnais, 1956).
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| 505 |
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|a Other Scenes in a LibraryParis Springtime Zero: Le Joli Mai (Chris Marker, 1963); A Hard Left; Afterthoughts: A Radical Lyricism; Acknowledgments; Appendix A. Declaration of the Group of Thirty; Appendix B. Quality Subsidy Study: Short-Subject Advantages; Notes; Filmography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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| 650 |
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|a Documentary films
|z France
|x History and criticism.
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| 650 |
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0 |
|a Motion pictures
|x Social aspects
|z France.
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| 651 |
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|a France
|x Social conditions.
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| 650 |
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|a Cinéma
|x Aspect social
|z France.
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| 651 |
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|a France
|x Conditions sociales.
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| 650 |
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|a LANGUAGE ARTS & DISCIPLINES
|x Journalism.
|2 bisacsh
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| 650 |
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|a HISTORY
|z Europe
|z France.
|2 bisacsh
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| 650 |
|
7 |
|a Documentary films.
|2 fast
|0 (OCoLC)fst00896079
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| 650 |
|
7 |
|a Motion pictures
|x Social aspects.
|2 fast
|0 (OCoLC)fst01027384
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| 650 |
|
7 |
|a Social conditions.
|2 fast
|0 (OCoLC)fst01919811
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| 651 |
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7 |
|a France.
|2 fast
|0 (OCoLC)fst01204289
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 776 |
0 |
8 |
|i Online version:
|a Ungar, Steven, 1945-
|t Critical mass.
|d Minneapolis : University of Minnesota Press, [2018]
|z 9781452956923
|w (DLC) 2018005635
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.5749/j.ctv4cbgnc
|z Texto completo
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| 938 |
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|a EBL - Ebook Library
|b EBLB
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| 938 |
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|a EBSCOhost
|b EBSC
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|a Project MUSE
|b MUSE
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|a YBP Library Services
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|a 92
|b IZTAP
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