Tratto Di Scientia D'arme.

Camillo Agrippa's Treatise on the Science of Arms was a turning point in the history of fencing. The author -- an engineer by trade and not a professional master of arms -- was able to radically re-imagine teaching the art of fencing. His treatise was a microcosm of 16th-century thought. It exa...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Agrippa, Camillo
Otros Autores: Mondschein, Ken
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Italica Press, 2009.
Colección:Medieval and Renaissance Texts.
Temas:
Fencing > Early works to 1800.
Swordplay > Early works to 1800.
Escrime > Ouvrages avant 1800.
Combat au sabre > Ouvrages avant 1800.
HISTORY > Renaissance.
Fencing
Swordplay
Early works
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro; List of Illustrations; Acknowledgements; Preface; Introduction; Translation Notes; Bibliography; Motu Propio of Phillip Salutiarum; Dedication Letter of Camillo Agrippa; Preface; Book 1; Book 2; Dialogue of Camillo Agrippa and Annibale Caro; Appendix; Glossary; Index; Portrait of Camillo Agrippa.; 1553 Title Page with Inscription Attributed to Torquato Tasso.; Fig. 1. Inscription Attributed to Torquato Tasso on Mr. Fare's Copy.; Fig. 2. Parts of the Sword.; Fig. 3. Hieroglyphs.; Fig. 4. Agrippa Disputing against the Philosophers.; Fig. 5. The Four Guards.
  • Fig. 6. A Geometrical Figure. Fig. 7. Another Geometrical Figure.; Fig. 8. The First Guard (A).; Fig. 9. The Second Guard (B).; Fig. 10. The Third Guard (C).; Fig. 11. The Fourth Guard (D).; Fig. 12. The Second Guard (E).; Fig. 13. The Third Guard with the Narrow Stance (F).; Fig. 14. Action G.; Fig. 15. The Second Guard with a Wide Stance (H).; Fig. 16. Action I.; Fig. 17. Action K.; Fig. 18. Alternate Engraving of Action K.; Fig. 19. The Fourth Guard with the Wide Stance (D); Fig. 20 The Third Guard with the Narrow Stance (L).; Fig. 21. Action G.
  • Fig. 22. The Third Guard with a Wide Stance (C). Fig. 23. The Second Guard with a Wide Stance (H).; Fig. 24. The First Guard (A).; Fig. 25. The Second Guard (B).; Fig. 26. Action I.; Fig. 27. Action K.; Fig. 28. The Third Guard with a Narrow Stance (F) and a Ball.; Fig. 29. Another First Guard (N).; Fig. 30. Another Third Guard (O).; Fig. 31. Another First Guard (N).; Fig. 32. Another Third Guard (O).; Fig. 33. Application of H vs. G.; Fig. 34. Application of B vs. C.; Fig. 35. Application of I vs. A.; Fig. 36. Application of A vs. D.; Fig. 37. Application of B vs. H.
  • Fig. 38. Application of I vs. K. Fig. 39. Application of A vs. F.; Fig. 40. Application of H vs. H.; Fig. 41. Application of H vs. P.; Fig. 42. Sequence F-I vs. A-I.; Fig. 43. Sequence F-I vs. C-C-K.; Fig. 44. Sequence F-H vs. C-C-G.; Fig. 45. Sequence N-I vs. A-I.; Fig. 46. Sequence B-I vs. O-D.; Fig. 47. The Guard with Cape and Dagger.; Fig. 48. Cape and Dagger, A vs. F.; Fig. 49. Case of Swords.; Fig. 50. Grappling, S vs. Q.; Fig. 51. Grappling, T vs. Q.; Fig. 52. Grappling, Q vs. V.; Fig. 53. Sword and Shield, Q vs. T.; Fig. 54. Sword and Shield, Q vs. P.
  • Fig. 55. Sword and Shield, D vs. P. Fig. 56. Staff Weapons.; Fig. 57. The Two-Handed Sword.; Fig. 58. Mounted Combat.; Fig. 59. Agrippa's Dream.; Fig. 60. Drawing the Figure, Step 1.; Fig. 61. Drawing the Figure, Step 2.; Fig. 62. Drawing the Figure, Step 3.; Fig. 63. Drawing the Figure, Step 4.; Fig. 64. Drawing the Figure, Step 5.; Fig. 65. The Heavenly Sphere and Its Geometrical Representation.; Glossary; Appendix:; Dialogue of Camillo Agrippa and Annibale Caro; Book 2; Book 1; Preface; Dedication Letter of Camillo Agrippa; Motu Propio of Phillip Salutiarum; Bibliography.

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