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Strategic occidentalism : on Mexican fiction, the neoliberal book market, and the question of world literature /

"Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sánchez Prado, Ignacio M., 1979- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Evanston, Illinois : Northwestern University Press, [2018]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sánchez Prado, Ignacio M.,  |d 1979-  |e author. 
245 1 0 |a Strategic occidentalism :  |b on Mexican fiction, the neoliberal book market, and the question of world literature /  |c Ignacio M. Sánchez Prado. 
260 |a Evanston, Illinois :  |b Northwestern University Press,  |c [2018] 
300 |a 1 online resource (x, 233 pages) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction: Mexican world literature -- The networks of a personal world : Sergio Pitol's heterodox cosmopolitanism -- The Crack group : cosmopolitanism contra the magical realist imperative -- The idea of the Mexican woman writer : gender, worldliness, and editorial neoliberalization -- Conclusion. Mexican world literature and "world literature" theory circa 2017. 
520 |a "Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture. In the course of this analysis, Ignacio M. Sánchez Prado engages with theories of world literature, proposing that 'world literature' is a construction produced at various levels, including the national, that must be studied from its material conditions of production in specific sites. In particular, he argues that Mexican writers have engaged in a 'strategic Occidentalism' in which their idiosyncratic connections with world literature have responded to dynamics different from those identified by world-systems or diffusionist theorists. Strategic Occidentalism identifies three scenes in which a cosmopolitan aesthetics in Mexican world literature has been produced: Sergio Pitol's translation of Eastern European and marginal British modernist literature; the emergence of the Crack group as a polemic against the legacies of magical realism; and the challenges of writers like Carmen Boullosa, Cristina Rivera Garza, and Ana García Bergua to the roles traditionally assigned to Latin American writers in world literature." --  |c Provided by publisher. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a Cosmopolitanism in literature. 
650 0 |a Mexican fiction  |y 21st century  |x History and criticism. 
650 0 |a Mexican fiction  |y 20th century  |x History and criticism. 
650 6 |a Cosmopolitisme dans la littérature. 
650 6 |a Roman mexicain  |y 21e siècle  |x Histoire et critique. 
650 6 |a Roman mexicain  |y 20e siècle  |x Histoire et critique. 
650 7 |a LITERARY CRITICISM  |x General.  |2 bisacsh 
650 7 |a Cosmopolitanism in literature  |2 fast 
650 7 |a Mexican fiction  |2 fast 
648 7 |a 1900-2099  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Sánchez Prado, Ignacio M., 1979-  |t Strategic occidentalism.  |w (DLC) 2018019339  |w (OCoLC)1006492842 
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