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Ripped, torn and cut : pop, politics and punk fanzines from 1976 /
"Ripped, torn and cut offers a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976. Sniffin' Glue (1976-77), Mark Perry's iconic punk fanzine, was but the first of many,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor Corporativo: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2018
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Ripped, torn and cut : |b pop, politics and punk fanzines from 1976 / |c edited by the Subcultures Network. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2018 | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xv, 325 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 520 | |a "Ripped, torn and cut offers a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976. Sniffin' Glue (1976-77), Mark Perry's iconic punk fanzine, was but the first of many, paving the way for hundreds of home-made magazines to be cut and pasted in bedrooms across the UK. From these, glimpses into provincial cultures, teenage style wars and formative political ideas may be gleaned. An alternative history, away from the often-condescending glare of London's media and music industry, can be formulated, drawn from such titles as Ripped & Torn, Brass Lip, City Fun, Vague, Kill Your Pet Puppy, Toxic Grafity, Hungry Beat and Hard as Nails. The first book of its kind, this collection reveals the contested nature of punk's cultural politics by turning the pages of a vibrant underground press."--Publisher's website | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction. |t Adventures in reality : why (punk) fanzines matter / |r Matthew Worley, Keith Gildart, Anna Gough-Yates, Sian Lincoln, Bill Osgerby, Lucy Robinson, John Street and Pete Webb -- |g I. |t Going underground : process and place -- |t Doing it ourselves : countercultural and alternative radical publishing in the decade before punk / |r Jess Baines, Tony Credland and Mark Pawson -- |t Zines and history : zines as history / |r Lucy Robinson -- |t Whose culture? Fanzines, politics and agency / |r Matthew Worley -- |t Invisible women : the role of women in punk fanzine creation / |r Cazz Blase -- |g II. |t Communiqués and Sellotape : constructing cultures -- |t 'Pam ponders Paul Morley's cat' : City Fun and the politics of post-punk / |r David Wilkinson -- |t Goth zines : writing from the dark underground, 1976-92 / |r Claire Nally -- |t The evolution of an anarcho-punk narrative, 1978-84 / |r Russ Bestley and Rebecca Binns -- |t 'Don't do as you're told, do as you think' : the transgressive zine culture of industrial music in the 1970s and 1980s / |r Benjamin Bland -- |t Are you scared to get punky? Indie pop, fanzines and punk rock / |r Pete Dale -- |g III. |t Memos from the frontline : locating the source -- |t Vague post-punk memoirs, 1979-89 / |r Tom Vague -- |t 'Mental liberation issue' : Toxic Grafity's punk epiphany as subjectivity (re)storying 'the truth of revolution' across the lifespan / |r Mike Diboll -- |t From Year Zero to 1984 : I was a pre-teen fanzine writer / |r Nicholas Bullen -- |t Kick : positive punk / |r Richard Cabut -- |t "This is aimed as much at us as at you' : my life in fanzines / |r Clare Wadd -- |g IV. |t Global communications : continuities and distinctions -- |t Punking the bibliography : RE/Search Publications, the bookshelf question and ideational flow / |r S. Alexander Reed -- |t Contradictory self-definition and organisation : the punk scene in Munich, 1979-82 / |r Karl Siebengartner -- |t 'Angry grrrl zines' : riot grrrl and body politics from the early 1990s / |r Laura Cofield. |
| 546 | |a In English. | ||
| 588 | 0 | |a Print version record | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Fan magazines |x Political aspects |z Great Britain |x History and criticism |y 20th century. | |
| 650 | 0 | |a Punk culture |x Political aspects |z Great Britain |y 20th century. | |
| 650 | 6 | |a Fanzines |x Aspect politique |z Grande-Bretagne |x Histoire et critique |y 20e siècle. | |
| 650 | 6 | |a Punk (Mouvement) |x Aspect politique |z Grande-Bretagne |y 20e siècle. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 710 | 2 | |a Subcultures Network, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Ripped, torn and cut. |d Manchester : Manchester University Press, 2018 |z 1526120593 |w (OCoLC)1014071956 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv18b5q46 |z Texto completo |
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