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Lessons in perception : the Avant-Garde filmmaker as practical psychologist /
Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds fil...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Berghahn,
[2018]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Taberham, Paul, |e author. | |
| 245 | 1 | 0 | |a Lessons in perception : |b the Avant-Garde filmmaker as practical psychologist / |c Paul Taberham. |
| 264 | 1 | |a New York : |b Berghahn, |c [2018] | |
| 300 | |a 1 online resource (xi, 213 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 195-207) and index. | ||
| 505 | 0 | 0 | |g 1. |t The Spectre of Narrative -- |g 2. |t Ghost Films of the Avant-Garde -- |g 3. |t Bottom-up Processing, Entoptic Vision and the Innocent Eye in the Films of Stan Brakhage -- |g 4. |t Robert Breer and the Dialectic of Eye and Camera -- |g 5. |t Synaesthetic Film Reconsidered -- |g 6. |t Three Dimensions of Visual Music. |
| 588 | |a Description based on online resource; title from PDF title page (viewed on 11/19/2020). | ||
| 520 | 8 | |a Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling for how their works expand the range of aesthetic sensitivity and open creative vistas uncharted by commercial cinema. | |
| 542 | 1 | |f This work is licensed by Knowledge Unlatched under a Creative Commons license |u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | |
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 7 | |a Film theory & criticism. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Experimental films |2 fast | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 653 | |a Arts. | ||
| 653 | |a cognitive humanities. | ||
| 653 | |a avant-garde cinema. | ||
| 653 | |a psychology. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Taberham, Paul. |t Lessons in perception : the Avant-Garde filmmaker as practical psychologist. |d New York : Berghahn, [2018] |z 9781785336416 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv3znzvc |z Texto completo |
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