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Postfeminist whiteness : problematising melancholic burden in contemporary Hollywood /
Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the melancholic white woman serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2018]
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| Colección: | Edinburgh scholarship online.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Marston, Kendra, |e author. | |
| 245 | 1 | 0 | |a Postfeminist whiteness : |b problematising melancholic burden in contemporary Hollywood / |c Kendra Marston. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (ix, 221 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Edinburgh scholarship online | |
| 504 | |a Includes bibliographical references (pages 198-209), filmography (pages 210-214) , and index. | ||
| 505 | 0 | |a The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces -- 'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster -- Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine -- Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train -- Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan -- Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world. | |
| 520 | |a Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the melancholic white woman serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 650 | 0 | |a Feminism and motion pictures. | |
| 650 | 0 | |a Women, White, in motion pictures. | |
| 650 | 0 | |a Melancholy in motion pictures. | |
| 650 | 0 | |a Race relations in motion pictures. | |
| 650 | 6 | |a Féminisme et cinéma. | |
| 650 | 6 | |a Mélancolie au cinéma. | |
| 650 | 6 | |a Relations raciales au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a POLITICAL SCIENCE |x International Relations |x General. |2 bisacsh | |
| 650 | 7 | |a Melancholy in motion pictures |2 fast | |
| 650 | 7 | |a Feminism and motion pictures |2 fast | |
| 650 | 7 | |a Race relations in motion pictures |2 fast | |
| 650 | 7 | |a Women, White, in motion pictures |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 4 | |a Electronic books. | |
| 776 | 0 | 8 | |i Print version: |a Marston, Kendra. |t Postfeminist whiteness. |d Edinburgh : Edinburgh University Press, [2018] |z 1474430295 |w (DLC) 2018288897 |w (OCoLC)1022080506 |
| 830 | 0 | |a Edinburgh scholarship online. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1pwt3hk |z Texto completo |
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