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|a The Anthem handbook of screen theory /
|c edited by Hunter Vaughan, Tom Conley.
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|a 1st
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|a London :
|b Anthem Press,
|c 2018.
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|a 1 online resource (xv, 353 pages) :
|b illustrations
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|a Preface / Hunter Vaughan -- Introduction : Post-, Grand, Classical or 'So-Called' : What Is, and Was, Film Theory? / Francesco Casetti -- The Brain's Labor : On Marxism and the Movies / Pasi Väliaho -- Racial Being, Affect and Media Cultures / Camilla Fojas -- Thinking Sex, Doing Gender, Watching Film / Terri Geller -- 'Complicated Negotiations' : Reception and Audience Studies into the Digital Age / Brendan Kredell -- World Cinema and Its Worlds / James Tweedie -- Screen Theory Beyond the Human : Towards an Ecomaterialism of the Moving Image / Hunter Vaughan -- 'We Will Exchange Your Likeness and ecreate You in What You Will Not Know' : Transcultural Process Philosophy and the Moving Image / Laura U. Marks -- Apparatus Theory, Plain and Simple / Tom Conley -- Properties of Film Authorship / Codruţa Morari -- 'Deepest Ecstasy' meets Cinema's Social Subjects : Theorizing the Screen Star / Mary Desjardins -- Rethinking Genre Memory : Hitchcock's 'Vertigo' and Its Revision / Elisabeth Bronfen -- Digital Technologies and the End(s) of Film Theory / Trond Lundemo -- How John the Baptist Kept His Head : My Life in Film Philosophy / Bill Rothman -- The Expressive Sign : Cinesemiotics, Enunciation and Screen Art / Daniel Yacavone -- Narratology in Motion : Causality, Puzzles and Narrative Twists / Warren Buckland -- He(u)retical Film Theory : When Cognitivism Meets Theory / William Brown -- Philosophy Encounters the Moving Image : From Film Philosophy to Cinematic Thinking / Robert Sinnerbrink -- Screen Perception and Event : Beyond the Formalist/Realist Divide / Nadine Boljkovac -- Postface / Tom Conley.
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|a 'The Anthem Handbook of Screen Theory' offers readers a unique survey of the new horizons of film and media theory, focusing on the applicability of screen theories and updating the field for new social, cultural and geopolitical contexts.
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|a Includes bibliographical references, filmography (pages 335-337), and index.
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|a Vaughan, Hunter,
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