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Transglobal fashion narratives : clothing communication, style statements and brand storytelling /

Everywhere we look, people are using fashion to communicate self and society - who they are, and where they belong. This book presents an international, interdisciplinary analysis of those narratives. Moving from sweatshop to runway, page to screen, camera to blog, and artist to audience, it examine...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Peirson-Smith, Anne (Editor ), Hancock, Joseph (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bristol : Chicago, IL : Intellect ; Intellect, The University of Chicago Press, 2018.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Transglobal fashion narratives :  |b clothing communication, style statements and brand storytelling /  |c edited by Anne Peirson-Smith and Joseph H. Hancock II. 
264 1 |a Bristol :  |b Intellect ;  |a Chicago, IL :  |b Intellect, The University of Chicago Press,  |c 2018. 
300 |a 1 online resource (vi, 363 pages) :  |b illustrations 
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520 8 |a Everywhere we look, people are using fashion to communicate self and society - who they are, and where they belong. This book presents an international, interdisciplinary analysis of those narratives. Moving from sweatshop to runway, page to screen, camera to blog, and artist to audience, it examines fashion as a mediated form of content in branding, as a literary and filmic device, and as a personal form of expression by industry professionals, journalists, and bloggers. 
588 0 |a Print version record. 
505 0 |a Title Page; Copyright; Acknowledgements; Introduction: Communicating Transglobal Fashion Narratives Anne Peirson-Smith and Joseph H. Hancock II; Section 1: Clothing Communication: Fashion as Written/Image; Chapter 1: Fashioning Adaptations: Anna Karenina on Screen Pamela Church Gibson; Chapter 2: The Desire for Change and Contrast: Fashion in Soviet Films between 1956 and 1985 Julia Hargassner; Chapter 3: The Sad Fortunes of 'Stylish Things': George Eliot and the Languages of Fashion Royce Mahawatte; Chapter 4: Oscar Wilde and the Philosophy of Fashion Colin Cavendish-Jones 
505 8 |a Chapter 5: Lolita through the Looking Glass: Alice, the Japanese Lolita Subculture and the Lolita Complex Kathryn A. Hardy BernalChapter 6: Sewing Manuals in 1950s China: Socialist Narratives and Dress Patterns from New Democracy to Socialist Transformation Antonia Finnane; Section 2: Style Statements: Fashioning Identity; Chapter 7: The Emperor's New Clothes Revisited: On Critical Fashion, Magical Thinking and Fashion as Fiction Efrat Tseëlon; Chapter 8: From Tradition to Fantasy: National Costume for Puerto Rican Miss Universe Contestants José Blanco F. and Raúl J. Vázquez-López 
505 8 |a Chapter 9: From Iconography to Inspiration: Australian Indigenous References in Contemporary Fashion Jennifer CraikChapter 10: In Your Face: Masculine Style Stories and the Fashionable Beard Maria Mackinney-Valentin and Trine Brun Petersen; Chapter 11: Becoming Animal, Becoming Free: Re-Reading the Animalistic in Fashion Imagery Louise Wallenberg; Chapter 12: Fragile Fashion: The Paper Dress as Art and Visual Consumption Viveka Kjellmer; Chapter 13: 'O Brave New World That Hath Such Costumes in It': An Examination of Cosplay as Fantastical Performance Anne Peirson-Smith 
505 8 |a Section 3: Brand Storytelling: Commodified Fashion TalesChapter 14: 'Paris of the East'? Collapsing Fashion Capitals through Fashion Photography of Shanghai and Hong Kong Jess Berry; Chapter 15: Weaving Fashion Stories in Shanghai: Heritage, Retro and Vintage Fashion in Modern Shanghai Natascha Radclyffe-Thomas; Chapter 16: X Marks the Spot: The Phenomena of Visuality and Brandscaping as Material Culture Demetra Kolakis; Chapter 17: Cargo Pants: The Transnational Rise of the Garment that Started a Fashion War Joseph H. Hancock II 
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