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The sentimental education of the novel /

"The nineteenth-century French novel has long been seen as the heroic production of great men, who confronted in their works the social consequences of the French Revolution. And it is true that French realism, especially as developed by Balzac and Stendhal, was one of the most influential nove...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cohen, Margaret, 1958- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, [1999]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Cohen, Margaret,  |d 1958-  |e author. 
245 1 4 |a The sentimental education of the novel /  |c Margaret Cohen. 
264 1 |a Princeton, New Jersey :  |b Princeton University Press,  |c [1999] 
300 |a 1 online resource :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references (pages 197-209) and index. 
505 0 0 |t Introduction: Reconstructing the Literary Field --  |g Ch. I.  |t Conflicting Duties: Sentimental Poetics --  |g Ch. II.  |t The Novel Is a Young Man of Great Expectations: Realism against Sentimentality --  |g Ch. III.  |t The Heart and the Code: George Sand and the Sentimental Social Novel --  |g Ch. IV.  |t A Compromised Position: French Realism and the Femme Auteur. 
520 1 |a "The nineteenth-century French novel has long been seen as the heroic production of great men, who confronted in their works the social consequences of the French Revolution. And it is true that French realism, especially as developed by Balzac and Stendhal, was one of the most influential novelistic forms ever invented. Margaret Cohen, however, challenges the traditional account of the genesis of realism by returning Balzac and Stendhal to the forgotten novelistic contexts of their time. Reconstructing a key formative period for the novel, she shows how realist codes emerged in a "hostile takeover" of a prestigious contemporary sentimental practice of the novel, which was almost completely dominated by women writers."--Jacket 
520 8 |a "Cohen draws on archival research, resurrecting scores of forgotten nineteenth-century novels, to demonstrate that the codes most closely identified with realism were actually the invention of sentimentality, a powerful aesthetic of emerging liberal-democratic society, although Balzac and Stendhal trivialized sentimental works by associating them with "frivolous" women writers and readers."--Jacket 
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650 0 |a Sentimentalism in literature. 
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650 0 |a Women and literature  |z France  |x History  |y 19th century. 
650 6 |a Roman français  |y 19e siècle  |x Histoire et critique. 
650 6 |a Sentimentalisme dans la littérature. 
650 6 |a Écrits de femmes français  |x Histoire et critique. 
650 6 |a Femmes et littérature  |z France  |x Histoire  |y 19e siècle. 
650 7 |a LITERARY CRITICISM  |x European  |x French.  |2 bisacsh 
650 7 |a French fiction.  |2 fast  |0 (OCoLC)fst00934302 
650 7 |a French fiction  |x Women authors.  |2 fast  |0 (OCoLC)fst00934321 
650 7 |a Sentimentalism in literature.  |2 fast  |0 (OCoLC)fst01112663 
650 7 |a Women and literature.  |2 fast  |0 (OCoLC)fst01177093 
651 7 |a France.  |2 fast  |0 (OCoLC)fst01204289 
650 7 |a Empfindsamkeit  |2 gnd 
650 1 7 |a Sentimentalisme.  |2 gtt 
650 1 7 |a Romans.  |2 gtt 
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650 1 7 |a Vrouwen.  |2 gtt 
650 1 7 |a Realisme (letterkunde)  |2 gtt 
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776 0 8 |i Print version:  |a Cohen, Margaret, 1958-  |t Sentimental education of the novel.  |d Princeton, N.J. : Princeton University Press, ©1999  |z 0691006482  |w (DLC) 98037765  |w (OCoLC)39914420 
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