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|a Harvey, James,
|d 1987-
|e author.
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|a Jacques Rancière and the politics of art cinema /
|c James Harvey.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2018]
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|a 1 online resource :
|b illustrations
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|a text
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (EBSCO, viewed July 10, 2018).
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|a Intro -- Title page -- Copyright -- Content -- Figures -- Acknowledgements -- Introduction: Politics and Art Cinema -- PART I : A Cinema of Politics -- 1 Panahi's Disagreement -- 2 Larraín's Ambivalence -- PART II A Politics of Cinema -- 3 Kaufman's Dissensus -- 4 Ceylan's Equality -- PART III : Between Politics and Cinema -- 5 Akomfrah's Foreigner -- Conclusion: Contemporary Political Art Cinema -- Bibliography -- Filmography -- Index.
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|a Drawing on case studies of films including Charlie Kaufman's Synecdoche, New York, Nuri Bilge Ceylan's Climates and John Akomfrah's The Nine Muses, this books asks to what extent is politics shaping art cinema? And, in turn, could art cinema possibly affect the political structure of the world as we know it?
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|a Rancière, Jacques
|x Aesthetics.
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|a Rancière, Jacques.
|2 fast
|0 (OCoLC)fst01448479
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|a Motion pictures
|x Political aspects.
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|a Aesthetics
|x Political aspects.
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|a PERFORMING ARTS
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|a PERFORMING ARTS
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|x Direction & Production.
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|a Aesthetics.
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|a Motion pictures
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|i Print version:
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv7n09mk
|z Texto completo
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