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|a UAMI
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|a Bala, Sruti,
|d 1973-
|e author.
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|a The gestures of participatory art /
|c Sruti Bala.
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|a Manchester :
|b Manchester University Press,
|c 2018.
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|c Ã2018
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|a 1 online resource (x, 156 pages) :
|b illustrations
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|a Includes bibliographical references and index.
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|g 1.
|t Gestures of institutional critique --
|g 2.
|t On the inconvenient means and ends of participation --
|g 3.
|t Unsolicited gestures of participation --
|g 4.
|t Vicarious gestures of participation --
|g 5.
|t Delicate gestures of participation --
|t Conclusion: between image, act, body and language.
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|a Participation is the utopian sweet dream that has turned into a nightmare in contemporary neoliberal societies. Yet can the participatory ideal be discarded or merely replaced with another term, just because it has become disemboweled into a tool of pacification? The gestures of participatory art insists that the concept of participation must be re-imagined and shifted onto other registers. Moving from reflections on institutional critique and impact to concrete analyses of moments of unsolicited, delicate participation and refusal, the book examines a range of artistic practices from India, Sudan, Guatemala and El Salvador, the Lebanon, the Netherlands and Germany. It proposes the concept of the gesture as a way of theorising participatory art, situating it between the visual and the performing arts, as both individual and collective, both internal attitude and social habitude.
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|a Interactive art.
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|a Community arts projects.
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|a Art interactif.
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|i Print version:
|a Bala, Sruti, 1973-
|t Gestures of participatory art.
|d Manchester : Manchester University Press, 2018
|z 9781526100771
|w (OCoLC)1045562067
|
856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvnb7j33
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