Cargando…
All theater is revolutionary theater /
All Theater Is Revolutionary Theater is the first book to consider why, in the Western tradition (and only in the Western tradition), theatrical drama is regarded as its own literary or poetic type, when the criteria needed to differentiate drama from other forms of writing do not resemble the crite...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca, N.Y. :
Cornell University Press,
2005.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1043201613 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 180705s2005 nyua ob 001 0 eng d | ||
| 010 | |z 2004017458 | ||
| 040 | |a YDX |b eng |e pn |c YDX |d JSTOR |d OCLCF |d EBLCP |d N$T |d IDB |d TXC |d MERUC |d AGLDB |d IGB |d OCLCQ |d OCLCO |d LVT |d P@U |d G3B |d S8J |d S8I |d STF |d D6H |d BTN |d AUW |d INTCL |d MHW |d SNK |d AU@ |d UKAHL |d OCLCQ |d MM9 |d RDF |d OCLCQ |d INARC |d OCLCO | ||
| 019 | |a 1044931610 |a 1080550540 |a 1357514511 | ||
| 020 | |a 9781501720994 |q (electronic bk.) | ||
| 020 | |a 1501720996 |q (electronic bk.) | ||
| 020 | |z 0801443091 | ||
| 020 | |z 9780801443091 | ||
| 029 | 1 | |a GBVCP |b 1048974499 | |
| 035 | |a (OCoLC)1043201613 |z (OCoLC)1044931610 |z (OCoLC)1080550540 |z (OCoLC)1357514511 | ||
| 037 | |a 22573/ctv2dw3dc |b JSTOR | ||
| 050 | 4 | |a PN2039 |b .B455 2005eb | |
| 072 | 7 | |a LIT |x 013000 |2 bisacsh | |
| 072 | 7 | |a LIT |x 006000 |2 bisacsh | |
| 072 | 7 | |a PER |x 011020 |2 bisacsh | |
| 082 | 0 | 4 | |a 792/.01 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Bennett, Benjamin, |d 1939- | |
| 245 | 1 | 0 | |a All theater is revolutionary theater / |c Benjamin Bennett. |
| 260 | |a Ithaca, N.Y. : |b Cornell University Press, |c 2005. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 505 | 0 | |a Cover; ALL THEATER IS REVOLUTIONARY THEATER; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Introduction; Part One; CHAPTER ONE Aristotle's Defeat; CHAPTER TWO Genre and Drama: The Historical and Theoretical Background; Part Two; CHAPTER THREE Brecht's Writing against Writing; CHAPTER FOUR Brecht, Artaud, Wedekind, Eliot: The Absence of the Subject; CHAPTER FIVE The Theater That Never Was: Georg Büchner and Drama as a Philosophical Experiment; CHAPTER SIX Hofmannsthal's Theater of Adaptation; CHAPTER SEVEN Diderot, Shaw, Beckett, and the Meaning of Plays. | |
| 505 | 8 | |a CHAPTER EIGHT Performance and the Exposure of HermeneuticsCHAPTER NINE Robert Wilson and the Work as an Empty Wavelength for Its Own Public Discussion; Conclusion; Appendix; Notes; Index. | |
| 504 | |a Includes bibliographical references (pages 227-237) and index. | ||
| 520 | |a All Theater Is Revolutionary Theater is the first book to consider why, in the Western tradition (and only in the Western tradition), theatrical drama is regarded as its own literary or poetic type, when the criteria needed to differentiate drama from other forms of writing do not resemble the criteria by which types of prose or verse are ordinarily distinguished. Through close readings of such playwrights as Beckett, Brecht, Büchner, Eliot, Shaw, Wedekind, and Robert Wilson, Benjamin Bennett looks at the relationship between literature and drama, identifying typical problems in the development of dramatic literature and exploring how the uncomfortable association with theatrical performance affects the operation of drama in literary history.Bennett's historical investigations into theoretical works ranging from Aristotle to Artaud, Brecht, and Diderot suggest that the attempt to include drama in the system of Western literature causes certain specific incongruities that, in his view, have the salutary effect of preserving the otherwise endangered possibility of a truly liberal, progressive, or revolutionary literature. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Theater |x Philosophy. | |
| 650 | 7 | |a LITERARY CRITICISM |x Drama. |2 bisacsh | |
| 650 | 7 | |a Theater |x Philosophy |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 0801443091 |z 9780801443091 |w (DLC) 2004017458 |w (OCoLC)56058143 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7591/j.ctv2n7mpr |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH34816456 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL5448287 | ||
| 938 | |a EBSCOhost |b EBSC |n 1837394 | ||
| 938 | |a Project MUSE |b MUSE |n muse69853 | ||
| 938 | |a YBP Library Services |b YANK |n 15572892 | ||
| 938 | |a Internet Archive |b INAR |n alltheaterisrevo0000benn | ||
| 994 | |a 92 |b IZTAP | ||